Yo también soy humo (I am also smoke)

2020 - Film & Video (Film & Video)

3:16 minutes

Runo Lagomarsino

location: Malmo, Sweden
location: Sao Paolo, Brazil
year born: 1977
gender: male
nationality: Italian-Argentine-Swedish
home town: Sweden

Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video. It features a single shot of a vintage postcard depicting the Columbus Monument and the port of Barcelona, both of which are linked to colonial histories and historical trajectories. The sea is an unnaturally bright blue. In the foreground, the tram cars are painted in an unusually saturated shade of red. A crease in the postcard’s paper runs through the sky like a shadow, mocking the enduring certainty of Columbus’ gesture of dramatically pointing out toward the “New World.” In the film, Lagomarsino’s father tells a story about arriving in Europe from Argentina after being forced into exile by the illegal military regime that killed and disappeared thousands of Argentineans between 1976 and 1983 on a voiceover in measured, rhythmic Spanish. He sat on a suitcase, lit a cigarette, and resolved to forget about Argentina and all the fear and death he, his wife, and their young daughter had left behind. For the duration of a cigarette, it is a nostalgic, dispirited retelling of displacement. The work confronts the audience with this reality as it is linked to exile and to the loss of belonging and security. It captures the feeling of relief that comes with arriving after a long and uncertain journey and breathing the air of a foreign city for the first time in a place where you know you’ll have to survive.


Runo Lagomarsino’s installations, sculptures, and films provide alternative perspectives on historical, political, and cultural power dynamics. His work, which is concerned with how power relations have manifested in colonial contexts, calls hegemonic versions of history into question, particularly in South America. As a result, he frequently deviates from the images generated by these histories to displace and transform them. On the other hand, the artist does not seek to tell other stories, reveal hidden truths, or create new historical narratives from a colonized perspective. Instead, it aims to rewrite the same stories, exposing contradictory dependencies and complex political dynamics.


Colors:



Related works featuring themes of: » Brazil, » Contemporary Conceptualism, » Globalization, » Installation Art, » Italian-Argentine-Swedish  
» see more

Chu’u Mayaa
© » KADIST

Clarissa Tossin

2017

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

Fordlândia Fieldwork
© » KADIST

Clarissa Tossin

2012

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

Deck Painting I
© » KADIST

Alexandre da Cunha

2005

His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs...

Untitled (Perfect Lovers + 1)
© » KADIST

Cerith Wyn Evans

2008

Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...

Other related works, blended automatically  
» see more

On Fire
© » KADIST

Runo Lagomarsino

2020

On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...

Chu’u Mayaa
© » KADIST

Clarissa Tossin

2017

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

Fordlândia Fieldwork
© » KADIST

Clarissa Tossin

2012

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

Les Fleurs d’intérieur
© » KADIST

Danh Vo

2009

The work “Les Fleurs d’intérieur” (which gives its name to the exhibiton presented at Kadist Art Foundation from May 30 to July 13, 2009) is a brass plate engraved with the inventory list of the works included in the show...

Related works sharing similar palette  
» see more

(Off)Stage/Masterclass
© » KADIST

siren eun young jung

2013

Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...

When Forms Come Alive: 5 Must-See Sculptures
© » AESTHETICA

Aesthetica Magazine - When Forms Come Alive: 5 Must-See Sculptures When Forms Come Alive: 5 Must-See Sculptures Hayward Gallery’s When Forms Come Alive is a lively and playful exhibition that presents different facets of sculptures...

Primaveral forms
© » KADIST

Ana Roldán

2012

Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico...

Other works by: » Runo Lagomarsino  
» see more

On Fire
© » KADIST

Runo Lagomarsino

2020

On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...

Swimming in Rivers of Glue
© » KADIST

Julieta Aranda

2016

The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...

Rubber Coated Steel
© » KADIST

Lawrence Abu Hamdan

2016

In May 2014, Israeli soldiers shot and killed two teenagers, Nadeem Nawara and Mohamad Abu Daher in occupied Palestine (West Bank)...

Sobre la igualdad y las diferencias: casas gemelas
© » KADIST

Carla Zaccagnini

2005

This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...

De sino à sina (From Bell to Fate)
© » KADIST

Carla Zaccagnini

2018

De sino à sina (From Bell to Fate) is a six-channel sound installation by Carla Zaccagnini exploring the relationship between modern Brazil and its colonial past...

Related works found in the same semantic group  
» see more

A Feminist Memory Project in Nepal
© » APERTURE

An expansive archive illustrates the role of women in shaping over a century of the country's political and public life....

And so it is 3,200.00
© » KADIST

Michael Armitage

2015

In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message...

Les allégories
© » KADIST

Chloé Quenum

2017

The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...