20 x 115 x 130 cm
In a post-apocalyptic setting, a layer of dust petrifies everything in an eternal state of latency. Thick as it is, a rocking chair becomes imponent and can no longer rock. The growth of vegetation has been hampered by concrete and could be mistaken for rocks. Against this concrete backdrop, two greyhounds are sound asleep. The buildup of dust absorbs Xolo and Cuintle , overlapping bodies too, two becoming one, bonding forever in a state of tenderness. Xolo and Cuintle were originally imagined inside an installation presented for the group show “Worst Case Scenario” curated by Chloé Bonnie addressing themes of elastic time, moving space and the troubled body.
Artist duo Romy Texier and Valentin Vie Binet go by the collective title Xolo Cuintle, producing works that sit somewhere between furniture, sculpture, sets and domestic spaces. Assembled from concrete, steel and wood, the artists present petrified scenes; timeless, abandoned spaces. Producing complete domestic settings, where each room is a discreet space, their works are re-interpreted, re-updated, and re-assembled; each set is organized around furniture and decorative objects from all eras. Families of styles and treatments, dissonances coexist and confront each other. Between noble materials and substitutes, objects are at once completed and rough. These composite assemblages aim for a form of harmony that is embodied through the successive montage of a series of living-room settings.
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Documenta Team Resigns Over Israel-Hamas Conflict | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
In 2019, Ayoung Kim traveled to Mongolia to research its widespread animistic belief system towards land, mother rock, stones, and sacred caves that purify human guilt...