Oren Pinhassi

Sculpture (Sculpture)

Oren Pinhassi’s work examines the relationship between the human figure and the built environment. His hybrid sculptures, often somewhat emaciated, hover between the figurative and the architectural. In the case of The Crowd , a series of sculptures which evince architectures of control – where humans act and exert power – we find voting booths, segregation cells, institutional desks, places where bureaucratic exchange become spaces of bodily desire, complete with sexual appendages.

Xolo Cuintle

Sculpture (Sculpture)

In a post-apocalyptic setting, a layer of dust petrifies everything in an eternal state of latency. Thick as it is, a rocking chair becomes imponent and can no longer rock. The growth of vegetation has been hampered by concrete and could be mistaken for rocks.