7:35 minutes
Jes Fan’s video work Xenophoria , as opposed to the term ‘xenophobia’, refers to a love of the foreign and is inspired by the name of a mysterious species of aquatic carrier shell. This creature, Xenophora pallidae, calcifies free-floating objects in the water to its spine, bringing foreign bodies into its own structure. Likewise, Xenophoria stages a delirious search for the melanin pigment – the molecule responsible for skin color – as it manifests in both human and non-human bodies. Referencing the aesthetics of both microscopic imagery and ASMR videos, the work depicts such actions as dissecting squids and bursting their ink sacs, tracing the discolored tumors within Qing Dynasty painter Lam Qua’s medical paintings, harvesting fungi, and locating bodily moles in an absurdist investigation of the substance of racial othering.
Jes Fan is a Brooklyn-based artist born in Canada and raised in Hong Kong. Speculating on the intersection of biology and identity, his trans-disciplinary practice emerges from a sustained inquiry into the concept of otherness as it relates to the materiality of the gendered body. Working primarily in expanded sculpture, Fan often incorporates organic materials—such as soybeans and depo-testosterone into larger assemblages fashioned of welded steel, poured resin, and hand-blown glass. His projects have focused on the bio-politics of transgender identity and the slippery nature of embodiment in an ear where HRT (hormone replacement therapy) and less extreme body-modification tactics such as bodybuiling are easily accessible, allowing the subject to mode their external body to match their internal state. Fan’s recent research has explored the complex and porous systems formed between biological agents (including those existing in our own body) and the surrounding environment, seeking to queer the traditional hierarchy between organic and inorganic matter.
The Diagram series relates broadly both to Jes Fan’s interests in body modification and gender hacking as well as the artist’s investment in destabilizing hegemonic categories such as gender, monogamy, and the classical individuated subject in favor of more creative, egalitarian, and communal modes of envisioning ourselves...
Philemona Williamson — The Borders of Innocence — Galerie Semiose — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Philemona Williamson — The Borders of Innocence — Galerie Semiose — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Philemona Williamson — The Borders of Innocence Exposition Peinture Philemona Williamson, A Pause Requested, 2020 Courtesy de l’artiste et galerie Semiose, Paris Philemona Williamson The Borders of Innocence Encore 19 jours : 18 novembre → 30 décembre 2023 Au cours de sa prestigieuse carrière longue de plus de quarante ans, l’artiste américaine Philemona Williamson a créé un ensemble d’œuvres suggestives et fascinantes qu’elle décrit comme des « poèmes visuels »...
The Diagram series relates broadly both to Jes Fan’s interests in body modification and gender hacking as well as the artist’s investment in destabilizing hegemonic categories such as gender, monogamy, and the classical individuated subject in favor of more creative, egalitarian, and communal modes of envisioning ourselves...
Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection...
Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous...
NO POSITIONS AVAILABLE is composed of panels covering the entire wall of the gallery exemplifying one of the tendencies of the artist...