Wong Ping’s Fables 1
- Film & Video (Film & Video)
13:00 minutes
Wong Ping
Artist Wong Ping’s madcap video, Wong Ping’s Fables 1 , might at first appear to resemble a crazy screensaver. Grid-like patterns allude to the work’s deep digital structure, while comic-book imagery illustrates a set of curious moral parables. The video tells the story of three flawed characters named Elephant, Chicken, and Tree. Elephant is an intellectual who discovers second sight; Chicken is a police officer with Tourettes Syndrome who accidentally kills his family; and Tree is a bus passenger forced to confront his darkest fears. They are flawed characters, and Ping annotates each of their stories with a short critical maxim. The artist notes that the traditional fable provides an aphorism that is not unlike that of the artist statement – oftening attempting to explain something that does not need further explanation. Like much of Wong’s work, Wong Ping’s Fables 1 reflects on the anxiety and aggressions of Hong Kong’s younger generations, presenting a somewhat dystopian prognosis. His narratives tell strange tales that might be difficult to watch, were they not rendered in animated form. The visual and auditory narrations often explicitly touch upon sex, lust, eroticism, politics, and broader social relations. Wong’s video discusses his observations of a society with repressed sexuality, personal sentiments, and political limitations, using a visual language that sits on the border of shocking and amusing.
Obscenity and profound issues of contemporary society are not mutually exclusive in Wong Ping’s video works. His neon-hued animations imagine salacious narratives based on the artist’s real life encounters and observations, tapping into our deepest desires, fantasies, and repressed sentiments. Wong’s work forces its audiences to reassess their internalized standards of decency in its razor sharp critiques and existential inquiries. Teetering between perverse honesty and vulgarity, complex vignettes of individual relations in contemporary society are delivered as lurid, visually vibrant representations in an 8-bit video game aesthetic. Wong’s signature visual language is especially effective in masking social taboos packed with observations on repressed sexuality, obsession, social relations, political limitations, and cultural etiquette. Wong’s work carefully considers immense proposals concerning control structures, desire, sexuality, shame, masculinity, Hong Kong society, and digital ontologies in a way that is neither indexical nor allegorical. Rather, Wing’s work poses an uncomfortable middle ground, equally filled with the uncomfortable dialectic between smut and criticality.
Colors:
Related works sharing similar palette
© » GAS
Gas Gallery viewing open day in Camberwell SE5 – Gina Cross - Curator + Mentor Close Thin Icon Close Thin Icon Your cart Close Alternative Icon Now partnered with Art Money for interest free art collecting Now partnered with Art Money for interest free art collecting News Written by Gina Cross Filed under Anna Marrow , Christine Wilkinson , Jane Fredericks , Kate Banazi , Open Studio , Ptolemy Mann] , View Art Next If you are considering purchasing artwork this Christmas but would like to be able to see it in person beforehand then this Saturday may be the time for you to do so...
© » KADIST
American Artist
2022American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E...
© » BROOKLYN STREET ART
Rolex, by Elfo | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY photo © Elfo Just like Chanel taking over an old ugly building in Williamsburg, Brooklyn, and slapping their logo on it, perhaps thinking it was suddenly transformed, we see street artist Elfo sloppily sloshing the letters ROLEX on this abandoned spot in Italy...
© » KADIST
Shahryar Nashat
2014In the film Hustle in Hand (2014) we observe secret negotiations carried out between two characters with only their torsos visible in the frame— negotiations that consider fetishizations, meaning and symbolic value of the body and flesh...
© » SLASH PARIS
Les Formes du Temps — Topographie de l’art — Exhibition — Slash Paris Login Newsletter Twitter Facebook Les Formes du Temps — Topographie de l’art — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Les Formes du Temps Exhibition Installation, painting, photography, sculpture.....
© » KADIST
Yuri Ancarani
2016The Wedding is a silent film, a probing observation of marriage rituals in Qatar in which we soon notice that there is not a single woman visible...
© » KADIST
Anne Samat
2018Anne Samat’s Puteri 3 references Ulek Mayang, a classical Malay dance, performed in a ritualistic pre-Islamic context...
© » ARTS EQUATOR
Shock Horror: The Southeast Asian monsters we love | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Illustrations by Divyalakshmi and Natalie Christian Tan November 1, 2021 ArtsEquator chats with five writers about their favourite horror characters and monsters from Southeast Asian lore and mythology...
© » KADIST
Szabolcs Kisspál
2009Lifesize Draft is the second of two sculptures on a similar theme, the first one being Utopia Battery, (2008)...
© » ARTS EQUATOR
What to expect from the Repertory Philippines stage in 2019 (via Rappler) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo by Steph Arnaldo/Rappler December 27, 2018 MANILA, Philippines – Theater junkies of all ages will be happy to know that our local theater scene has some top-notch stage entertainment up its talented sleeve for everyone to enjoy in 2019...