!Women Art Revolution

2010 - Film & Video (Film & Video)

Lynn Hershman Leeson

location: San Francisco, California
year born: 1941
gender: female
nationality: American
home town: Cleveland, Ohio

Hershman Leeson’s documentary, Women Art Revolution (W. A. R.) draws from hundreds of hours of intimate interviews with her contemporaries—visionary artists, historians, curators and critics—who recount their fight to break down the barriers facing women both in the art world and society at large. The film features an original score by Carrie Brownstein, formerly of the band Sleater-Kinney.


Lynn Hershman Leeson is a celebrated Bay Area artist and filmmaker internationally renowned for her pioneering use of new technologies to explore key social issues. Her prolific body of work spans over four decades: from her early conceptual and performance works where she constructed an ‘official’ civilian record for her alter ego Roberta Breitmore, to her more recent works that intersect with the field of science to explore themes of identity, privacy, surveillance and the complex relationship between humans and technology, and the real and the virtual world. Hershman Leeson also addresses these key themes through her filmmaking, which is highly idiosyncratic and socially engaged. A notable example is her acclaimed documentary !Women Art Revolution , which focuses on the Feminist movement in the USA.


Colors:



Lesbian Beds
© » KADIST

Tammy Rae Carland

2002

Carland’s series of large-format photographs Lesbian Beds (2002) depicts beds that have been recently vacated...

Scene I am Cuba
© » KADIST

Felipe Dulzaides

2006

I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm...

Untitled 3737 and Untitled 5157
© » KADIST

Todd Hido

2005

The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime...

The Syphilis of Sisyphus
© » KADIST

Mary Reid Kelley

2011

In the video The Syphilis of Sisyphus (2011), Reid Kelley transported her heroine to the French demimonde...

Related works featuring themes of: » Color Photography, » Cultural Commentary, » Feminism, » Film/Video, » American  
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Borrando la Frontera
© » KADIST

Ana Teresa Fernández

2011

The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...

Frontier-Linear
© » KADIST

Doug Aitken

2009

The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...

Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910)
© » KADIST

Walead Beshty

2010

Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...

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Tania Libre
© » KADIST

Lynn Hershman Leeson

2016

Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...

Borrando la Frontera
© » KADIST

Ana Teresa Fernández

2011

The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...

Frontier-Linear
© » KADIST

Doug Aitken

2009

The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...

Office Work
© » KADIST

Walead Beshty

2018

Office Work by Walead Beshty consists of a partially deconstructed desktop monitor screen, cleanly speared through its center onto a metal pole...

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project SALOME: A shared silhouette, redressed
© » ARTS EQUATOR

project SALOME: A shared silhouette, redressed | ArtsEquator Skip to content Rebecca G...

Usher’s Super Bowl look marks the arrival of bulking season
© » DAZED DIGITAL

Usher’s Super Bowl look marks the arrival of bulking season | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit Fashion News The R&B superstar hit the stage in custom Off-White muscles, continuing a trend that’s been popping up on the AW24 catwalks 12 February 2024 Text Elliot Hoste Stock up on protein powder and renew that PureGym membership, people, because bulking season is back in fashion...

Nikita Teryoshin goes into the backroom of war
© » 1854 PHOTOGRAPHY

Nikita Teryoshin goes into the backroom of war - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW All images from the series Nothing Personal – The Back Office of War by Nikita Teryoshin Shot in arms fairs around the world over the last eight years, Nikita Teryoshin’s Nothing Personal reveals the chilling business of conflict In a conflict-ridden world, weapons are instruments of both war and politics...

Je bois le désordre du monde
© » KADIST

Following a first event convened by Camille Lévy Sarfati at KADIST Paris in April, this second chapter of the Double Takes program will take place between September 20 – 24th at El Warcha studio, in Tunis...

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Silencer #16 & #17
© » KADIST

Will Rogan

2010

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

Serengeti Green
© » KADIST

Phillip Maisel

2015

While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...

Chu’u Mayaa
© » KADIST

Clarissa Tossin

2017

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

Untitled (Men)
© » KADIST

Matt Lipps

2011

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

Other works by: » Lynn Hershman Leeson  
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Tania Libre
© » KADIST

Lynn Hershman Leeson

2016

Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...

Strange Culture
© » KADIST

Lynn Hershman Leeson

2007

Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...

VertiGhost
© » KADIST

Lynn Hershman Leeson

2017

Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...

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Cuban American Singer Celia Cruz To Be First Afro Latina On U.S. Quarter
© » HUFFINGTON POST

Known as the Queen of Salsa, Cruz was one of the most popular Latin artists of the 20th century....

Christie’s Sale of Items From Art Collector Adam Lindemann Makes $31.5 M. - via ARTnews
© » LARRY'S LIST

Part of the proceeds from the auctions are going to the Rockefeller Wing at the Met....

M+ Museum Pulls Three Politically Charged Works From Exhibition Dedicated to Works from Swiss Collector, Spurring Speculation of Censorship - via ARTnews
© » LARRY'S LIST

The museum said the removal of the works, one of which references the 1989 Tiananmen Square protests and massacre, were part of a routine rehang....