White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form. Here, Capistran humorously remixes the form and style of Frank Stella’s Black Paintings with California punk rock band Black Flag’s song title and logo (created by artist Raymond Pettibon). White Minority , then, appropriates, recontextualizes, and riffs on language and visual signs to unmoor notions of identity, power, and revolution.
Born in Guadalajara, Mexico, and raised in South Central Los Angeles, Juan Capistran was undocumented until midway through grade school. As a teenager he gravitated toward graffiti, punk rock, reggae, house music, and DJ culture as tools for crafting a hybrid identity. His work has diverse influences, from Malcolm X to Led Zeppelin and Richard Serra, and it quotes keenly and democratically, from gang colors to minimalist forms.
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This work presents the image of an immolated monk engraved on a baseball bat...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...
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To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...
To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...