White Minority

Long Long Live (2013) takes the viewer to the setting of the Oasis Villa on Green Island, once a reform and re-education prison to house political prisoners during Taiwan’s martial law period...

Vallance’s Rocket is a vibrant picture in which masses of color and collage coalesce into a central vehicle, yet the whole surface seems lit with the roar of space travel...

The Class (2005) by Araya Rasdjarmrearnsook challenges the viewer’s personal sense of morality and tolerance by depicting a classroom from hell...

The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame...

Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...

In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...

Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...

Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time...

To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...

In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...

Meeting #100 is one in a series of text works by Jonathan Monk...

Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

This work presents the image of an immolated monk engraved on a baseball bat...

Making Chinatown (2012) is a remake of Roman Polanski’s 1974 classic neo-noir film Chinatown ...

The artist describes the work as “very performative video-pieces but they take on a more sculptural feel...

Untitled consists of a small wooden sculpture that leans against a wall...

Days of Our Lives: Reading is from a series of work was created for the 10th Biennale de Lyon by the artist...