White Angel

1962

Fran Herndon


Working independently, Herndon experimented at the forefront of a now-canonical method—appropriation—by painting additions into found images from magazines such as Life and Sports Illustrated in a way that imbues the resulting works with mythical significance. Associated with the Beat movement, her work is integral to that part of the history of San Francisco. White Angel (1962), painted in the year of Marilyn Monroe’s death, portrays the actress in a process of devolution. Pictured upright in Vogue at the top-right of the frame, she sinks in stages to its lower left, increasingly engulfed by encroaching layers of paint and paper. Beneath fiery, scribbled, gestural marks and surrounded by foreboding, masked figures, her famous, partially obscured smile looks like a grimace.


Fran Herndon was born in Oklahoma in 1929, then moved to San Francisco in 1957, where she came into contact with Jack Spicer, who encouraged her painting practice by motivating her to study at the California School of Fine Arts (now the San Francisco Art Institute). They collaborated on a few important poetry works including Homage to Creeley Heads of the Town Up to the Aether and J magazine. In each instance, Herndon’s graceful, looping, lithographs are not mere illustrations of Spicer’s text, but enter into a mutually enriching dialogue with it.


Colors:



Scene I am Cuba
© » KADIST

Felipe Dulzaides

2006

I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm...

Untitled
© » KADIST

Barry McGee

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

Nuevo Dragon City
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Sergio De La Torre

2008

Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...

Irma Vep, The Last Breath
© » KADIST

Michelle Handelman

2015

Michelle Handelman’s video work Irma Vep, The Last Breath takes its inspiration from Musidora, a famous French silent film actress, and a character she played called Irma Vep, from the film Les Vampires (1915), directed by Louis Feuillade...

Human Quarry
© » KADIST

Leslie Shows

Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...

Strange Culture
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Lynn Hershman Leeson

2007

Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...

Green Box
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Ari Marcopoulos

1998

A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California...

Stanley "Tom" Durrell, Tinsmith
© » KADIST

Sharon Lockhart

2008

Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...

!Women Art Revolution
© » KADIST

Lynn Hershman Leeson

2010

Hershman Leeson’s documentary, Women Art Revolution (W...

The Crime of Art
© » KADIST

Kota Ezawa

2017

The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...

This is not in Spanish
© » KADIST

Sergio De La Torre

2011

This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...

Silver & Gold
© » KADIST

Nao Bustamante

2010

Silver & Gold combines video, performance, and original costumes into a self-proclaimed “filmformance” that evokes the legendary filmmaker Jack Smith and his tribute to 1940s Dominican movie starlet Maria Montez in a magical and joyfully twisted exploration of race, glamour, sexuality, and the silver screen...

Untitled (Untitled Passport II)
© » KADIST

Colter Jacobsen

2010

The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...

Borrando la Frontera
© » KADIST

Ana Teresa Fernández

2011

The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...

Paint, Unpaint
© » KADIST

Kota Ezawa

2014

Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...

Dorian, a cinematic perfume
© » KADIST

Michelle Handelman

2009

In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...

I (heart) Data Mining
© » KADIST

Amy Balkin

2012

Data mining is a computer software process that can involve the neutral or benign analyzing of internet data for patterns, however, it can also imply the more sinister activities of surveillance or subject-based information gathering...

Ongoing Time Stabbed with a Dagger
© » KADIST

Geoffrey Farmer

2009

Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself...