Working independently, Herndon experimented at the forefront of a now-canonical method—appropriation—by painting additions into found images from magazines such as Life and Sports Illustrated in a way that imbues the resulting works with mythical significance. Associated with the Beat movement, her work is integral to that part of the history of San Francisco. White Angel (1962), painted in the year of Marilyn Monroe’s death, portrays the actress in a process of devolution. Pictured upright in Vogue at the top-right of the frame, she sinks in stages to its lower left, increasingly engulfed by encroaching layers of paint and paper. Beneath fiery, scribbled, gestural marks and surrounded by foreboding, masked figures, her famous, partially obscured smile looks like a grimace.
Fran Herndon was born in Oklahoma in 1929, then moved to San Francisco in 1957, where she came into contact with Jack Spicer, who encouraged her painting practice by motivating her to study at the California School of Fine Arts (now the San Francisco Art Institute). They collaborated on a few important poetry works including Homage to Creeley Heads of the Town Up to the Aether and J magazine. In each instance, Herndon’s graceful, looping, lithographs are not mere illustrations of Spicer’s text, but enter into a mutually enriching dialogue with it.
I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm...
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...
Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...
Michelle Handelman’s video work Irma Vep, The Last Breath takes its inspiration from Musidora, a famous French silent film actress, and a character she played called Irma Vep, from the film Les Vampires (1915), directed by Louis Feuillade...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California...
Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...
Silver & Gold combines video, performance, and original costumes into a self-proclaimed “filmformance” that evokes the legendary filmmaker Jack Smith and his tribute to 1940s Dominican movie starlet Maria Montez in a magical and joyfully twisted exploration of race, glamour, sexuality, and the silver screen...
The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...
In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...
Data mining is a computer software process that can involve the neutral or benign analyzing of internet data for patterns, however, it can also imply the more sinister activities of surveillance or subject-based information gathering...
Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself...