Roni Mocan’s work Welcome is a floorwork comprised of a grid-like arrangement of doormats that the artist borrowed from the local community, people in his building, and even from participating artists from the exhibition where it was first presented. In a time where xenophobia, divisive border rhetorics and news of an ongoing global refugee crisis have become commonplace, instead of sitting barely noticed at a home’s entrance, Mocan transforms these ubiquitous objects into carriers of a poignant and necessary greeting message. The installation underscores issues of migration, borders and racism, and gives light to the urgent need and responsibility we have towards addressing the issues that prevent humans from being welcome everywhere.
Roni Mocan ‘s works are inspired by common events of daily life. Taking cues from the world around him — as the artist states: “from something as apparently banal as eating, getting dressed, taking the subway, or even a politician’s speech” — Mocan utilizes the cotidian to address a rage of themes such as identity, place, migration, and consumerism among others. He often recontextualizes simple, found objects and materials from the everyday, finding in them latent evidence that speak of complexities in our lives. Formally, he works with various media including photography, installation and drawing, with a distinctive minimal style that is often characterized by his use of humor, irony, or the uncanny.
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Monelle by Diego Marcon was filmed at night inside the infamous Casa del Fascio, the headquarters of the local Fascist Party in Como Italy, designed by Giuseppe Terragni under Mussolini’s rule...
Another America — AI-Generated Photos from the 1940s and 50s - AI-generated images by Phillip Toledano | Interview by Jim Casper | LensCulture Interview Another America — AI-Generated Photos from the 1940s and 50s Phil Toledano has often pushed the boundaries of photography to imagine the future; now he’s tapping into AI to create alternative histories, challenging our belief in any images at all...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
dbqp is a photographic series in which the artist handles an enlargement of the plate with three cutout windows which was used for L’Archipel (The Archipelago) in collaboration with Pierre Leguillon...
Saturday, March 3 3pm to 4.30pm Exhibition Walkthrough of If These Stones Could Sing and Falling Wall , performance by Public Movement Curator Marie Martraire will lead a walkthrough of If These Stones Could Sing , a group show on view which focuses on the body as a site to engage the politics of public monuments...