Roni Mocan’s work Welcome is a floorwork comprised of a grid-like arrangement of doormats that the artist borrowed from the local community, people in his building, and even from participating artists from the exhibition where it was first presented. In a time where xenophobia, divisive border rhetorics and news of an ongoing global refugee crisis have become commonplace, instead of sitting barely noticed at a home’s entrance, Mocan transforms these ubiquitous objects into carriers of a poignant and necessary greeting message. The installation underscores issues of migration, borders and racism, and gives light to the urgent need and responsibility we have towards addressing the issues that prevent humans from being welcome everywhere.
Roni Mocan ‘s works are inspired by common events of daily life. Taking cues from the world around him — as the artist states: “from something as apparently banal as eating, getting dressed, taking the subway, or even a politician’s speech” — Mocan utilizes the cotidian to address a rage of themes such as identity, place, migration, and consumerism among others. He often recontextualizes simple, found objects and materials from the everyday, finding in them latent evidence that speak of complexities in our lives. Formally, he works with various media including photography, installation and drawing, with a distinctive minimal style that is often characterized by his use of humor, irony, or the uncanny.
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
The working processes of artists: Sabrina Poon | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 27, 2020 Singaporean filmmaker Sabrina Poon, better known as Spoon, talks about her work and the value of storytelling by breaking down three of her short films – Sylvia , Hello Uncle and Pa ...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
For this floor based work, Gomes has taken two lengths of bamboo and tied them together using linen thread...
Saturday, March 3 3pm to 4.30pm Exhibition Walkthrough of If These Stones Could Sing and Falling Wall , performance by Public Movement Curator Marie Martraire will lead a walkthrough of If These Stones Could Sing , a group show on view which focuses on the body as a site to engage the politics of public monuments...
7 Art Shows to See in New York, February 2024 Skip to content A detail of Apollinaria Broche’s “I Close My Eyes Then I Drift Away” (2023) at Marianne Boesky Gallery (photo Hrag Vartanian/ Hyperallergic ) The short month of February still packs a lot of art in New York City, from a survey of the influential Godzilla Asian American Arts Network to Apollinaria Broche’s whimsical ceramics and Aki Sasamoto’s experimentations with snail shells and Magic Erasers in her solo show at the Queens Museum...
Drowned Wood Standing Coiled (2011) consists of two sculptures, inextricably linked...
dbqp is a photographic series in which the artist handles an enlargement of the plate with three cutout windows which was used for L’Archipel (The Archipelago) in collaboration with Pierre Leguillon...