Warder
2011 - Installation (Installation)
225 x 275 x 28 cm
Lydia Gifford
Lydia Gifford composes her work between pictorial expression and its inscription within an exhibition space. This particular approach implies the performative aspect of her in situ painting. The artist takes the entire environment into consideration from the canvas to the exhibition walls. Time and attention are required to allow the subtleties of the work to reveal themselves in all their complexities in order to find a focal distance which is appropriate to experience the composition. A white wall, a vibrant canvas, disparate elements as punctuation, and the pictorial gesture that continue on the wall on which it becomes inscribed in an echo with the canvas. She explains that: “There is a subtle balance between impulse and action. Actions leave traces, painting always initially carries the mark of the body, of an explosive gesture.” Intimate and played out in the exhibition space, the artist’s work endangers its own apparatus on the occasion of every presentation and thus renews the viewpoints in a perpetual dialogue between the work, the place and the audience. Warder is on the limit of achievement and creates a tension with the exhibition space that fundamentally participates in its evolution. The artist proposes an intimate sensory experience by drawing attention to the vibratile nature of the context and the marking of her gesture. She states that in her work: “Painting allows me to transpose boundaries”. In the painting tradition that Gifford responds to Turner’s works are haunted by fog which diffuses light: she brings this up to date with her incisive question of defining a territory to cultivate. Her work alludes to landscape, questions the appearing of a work of art and its existence, the trace of its emergence, the vitality of the initial thrust.
Lydia Gifford was born in 1979. She lives and works in London.
Colors:
Related works sharing similar palette
© » SLASH PARIS
Fabienne Verdier — Horizons et Chênes-lièges — Lelong & Co Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Fabienne Verdier — Horizons et Chênes-lièges — Lelong & Co Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Fabienne Verdier — Horizons et Chênes-lièges Exhibition Painting Fabienne Verdier, Chêne-liège #4, 2023 Pastel gras et pastel sec sur vélin d’Arches teinté — 49 × 28 cm Courtesy de l’artiste et galerie Lelong & Co...
© » KADIST
Urban Fauna Lab
2017Misting Miner is a vapor sculpture by Alexey Buldakov from the Urban Fauna Lab collective that gives material form to the invisible phenomenon of mining cryptocurrency...
© » SLASH PARIS
Amy Bravo — I’m Going There With You — Semiose Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Amy Bravo — I’m Going There With You — Semiose Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Amy Bravo — I’m Going There With You Exhibition Installation, painting, sculpture, mixed media Upcoming Amy Bravo, Elegy to the Mustache, 2024 Graphite, wax pastel, acrylic on canvas, found objects, mirror and plaster — 54 × 36 × 1 in...
© » KADIST
Pablo Rasgado
2011Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
© » SLASH PARIS
Laurent Le Deunff — Easter Eggs — Galerie Semiose — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Laurent Le Deunff — Easter Eggs — Galerie Semiose — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Laurent Le Deunff — Easter Eggs Exposition Dessin, sculpture, techniques mixtes Laurent Le Deunff, vue de l’exposition Easter Eggs, galerie Semiose, Paris Courtesy of the artist & Semiose, Paris — Photo : DR Laurent Le Deunff Easter Eggs Encore 19 jours : 18 novembre → 30 décembre 2023 Les sculptures présentées dans l’exposition Easter Eggs se présentent comme des totems composés d’une suite inattendue d’objets, culturels ou naturels, associés avec une très grande liberté...
© » KADIST
Nohemí Pérez
2016A rich and isolated region, El Catatumbo is located near the border with Venezuela...
© » KADIST
Nidhal Chamekh
2016Nidhal Chamekh made the first drawings of the ongoing series Mémoire Promise in 2013...
© » SLASH PARIS
Clémentine Adou — Xmas — Les Bains-Douches d'Alençon — Exhibition — Slash Paris Login Newsletter Twitter Facebook Clémentine Adou — Xmas — Les Bains-Douches d'Alençon — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Clémentine Adou — Xmas Exhibition Installation, sound - music, mixed media, video Clémentine Adou, Red nose, red dot, 2023 Red nose, motor — 5 × 5 × 5 cm Clémentine Adou & Tonus, Paris Clémentine Adou Xmas Ends in 21 days: January 26 → March 3, 2024 “Movement is not material...
© » KADIST
Tuan Andrew Nguyen
2012This work presents the image of an immolated monk engraved on a baseball bat...
© » THEARTNEWSPER
James Ensor: series of anniversary shows to reveal ‘the man behind the mask’ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions news James Ensor: series of anniversary shows to reveal ‘the man behind the mask’ Belgium commemorates 75 years since the artist's death with a year-long season of exhibitions and events, often highlighting the lesser known aspects of his work Eddi Fiegel 15 December 2023 Share James Ensor, Pierrot and skeleton in a yellow robe (1893) Photo: Hugo Maertens The Belgian artist James Ensor may be easily recognisable for the macabre faces that so often feature in his works, but a major new season of exhibitions and events in his home country aims to reveal “the man behind the mask”...
