39.92H x 33.35W inches
In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes. The artist has said that the appropriation of popular imagery is a way for him to take pictures without a camera and to register the things that happen in the everyday as visual essays that evidence the fragility of the world.
For the past eight years, Jonathan Hernández has been developing the ongoing series Vulnerabilia from an immense bank of images appropriated from different public media, including photographs from newspapers, postcards, snapshots, or advertisements. Hernández erases any textual information that points to the image’s original content and context. He then carefully reworks them into collaged compositions—many of which revolve around scenes of disaster—whose meaning is intentionally ambiguous, and which become a critical visual encyclopedia of our contemporary world.
In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...
In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...
From the series the Old and the New (XI) by Carlos Garaicoa belongs to the series Lo viejo y lo nuevo / Das Alte und das Neue (The Old and the New) which was first exhibited in 2010 at Barbara Gross Gallery in Germany...
Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification...
The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style...
During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...
Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
In this photographic series, Yto Barrada was interested in the logos of the buses that travel between North Africa and Europe...
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...