Vulnerabilia

2008

39.92H x 33.35W inches

Jonathan Hernández

year born: 1972
gender: male
nationality: Mexican

In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes. The artist has said that the appropriation of popular imagery is a way for him to take pictures without a camera and to register the things that happen in the everyday as visual essays that evidence the fragility of the world.


For the past eight years, Jonathan Hernández has been developing the ongoing series Vulnerabilia from an immense bank of images appropriated from different public media, including photographs from newspapers, postcards, snapshots, or advertisements. Hernández erases any textual information that points to the image’s original content and context. He then carefully reworks them into collaged compositions—many of which revolve around scenes of disaster—whose meaning is intentionally ambiguous, and which become a critical visual encyclopedia of our contemporary world.


Colors:



Related works featuring themes of: » Appropriation Art, » City Scenes, » Collage, » Color Photography, » Mexican  
» see more

One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

Untitled (TIME)
© » KADIST

Mungo Thomson

2010

In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...

Other related works, blended automatically  
» see more

One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

Owl
© » KADIST

Raymond Pettibon

2006

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...

The End One
© » KADIST

Raymond Pettibon

2005

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...

Related works sharing similar palette  
» see more

The Paintings of Madeleine Pfull
© » HIGH FRUCTOSE

The middle-aged figures inhabiting Madeleine Pfull's paintings are extracted from 1980s suburbia...

At Year’s End a Lineup from Long Ago
© » ARTSJOURNAL

At Year’s End a Lineup from Long Ago | Straight Up | Jan Herman This card from 1968, designed and printed by Graham Macintosh , shows a little mag’s lineup and the subscription-cum-ad rates at the time...

Prix Marcel Duchamp — 2023
© » SLASH PARIS

Prix Marcel Duchamp — 2023 — Centre Georges Pompidou — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Prix Marcel Duchamp — 2023 — Centre Georges Pompidou — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Prix Marcel Duchamp — 2023 Exposition Techniques mixtes À venir Prix Marcel Duchamp 2023 — Bertille Bak, Bouchra Khalili, Tarik Kiswanson et Massinissa Selmani © ADIAF Prix Marcel Duchamp 2023 Dans 9 mois : 2 octobre 2023 → 2 janvier 2024 Bertille Bak, Bouchra Khalili, Tarik Kiswanson et Massinissa Selmani sont les quatre artistes nominés par un comité de sélection composé de onze collectionneurs de l’ADIAF pour l’attribution du 23e Prix Marcel Duchamp...

Blanco sobre Blanco (White on White)
© » KADIST

Javier Castro

2014

In the video Blanco sobre Blanco (White on White) , we see a white man appearing in a white screen embedded into a white wall— alluding to Malevich’s White on White series...

Related artist(s) to: Jonathan Hernández » David Weiss, » Gabriel Orozco, » Peter Fischli, » Abraham Cruzvillegas, » Adriana Lara, » Doug Aitken, » Douglas Gordon, » Francis Alÿs, » Jonathan Monk, » Jorge Méndez Blake  
» see more

The Making of Monster
© » KADIST

Douglas Gordon

1996

In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...

Related works found in the same semantic group  
» see more

‘They feel they are part of that’: community engagement the aim of art initiative in Hong Kong that brings together a project’s developer and neighbours
© » SOUTH CHINA MORNING POST

‘They feel they are part of that’: community engagement the aim of art initiative in Hong Kong that brings together a project’s developer and neighbours...

Weight & Velocity (Cat on Router)
© » KADIST

Gabriel Pericas

2014

“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router...

Koropa
© » KADIST

Laura Henno

2016

In 2009, Laura Henno began research in the archipelago Comoros for her first film Koropa the first episode of a triptych— completed in 2016...

Hole #1
© » KADIST

Matthew Angelo Harrison

2015

In Hole #1 a zebra scull stands in as a representation of Africa, while the plexiglass box and the hole made through it represent the inaccessibility of that culture to African-Americans....