39.92H x 33.35W inches
In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes. The artist has said that the appropriation of popular imagery is a way for him to take pictures without a camera and to register the things that happen in the everyday as visual essays that evidence the fragility of the world.
For the past eight years, Jonathan Hernández has been developing the ongoing series Vulnerabilia from an immense bank of images appropriated from different public media, including photographs from newspapers, postcards, snapshots, or advertisements. Hernández erases any textual information that points to the image’s original content and context. He then carefully reworks them into collaged compositions—many of which revolve around scenes of disaster—whose meaning is intentionally ambiguous, and which become a critical visual encyclopedia of our contemporary world.
In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
The artist describes the work as “very performative video-pieces but they take on a more sculptural feel...
From the series the Old and the New (XI) by Carlos Garaicoa belongs to the series Lo viejo y lo nuevo / Das Alte und das Neue (The Old and the New) which was first exhibited in 2010 at Barbara Gross Gallery in Germany...
Prix Marcel Duchamp — 2023 — Centre Georges Pompidou — Exhibition — Slash Paris Login Newsletter Twitter Facebook Prix Marcel Duchamp — 2023 — Centre Georges Pompidou — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Prix Marcel Duchamp — 2023 Exhibition Mixed media Upcoming Prix Marcel Duchamp 2023 — Bertille Bak, Bouchra Khalili, Tarik Kiswanson et Massinissa Selmani © ADIAF Prix Marcel Duchamp 2023 In 9 months: October 2, 2023 → January 2, 2024 Bertille Bak, Bouchra Khalili, Tarik Kiswanson and Massinissa Selmani are the four finalists of the 2023 edition of the Marcel Duchamp Prize...
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...
“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router...
Prisons is part of a series of videos, entitled Our Body is a Weapon , representing individuals who affirm the body as a place of political and social resistance...
David Goldblatt’s “Boksburg series” is a telling portrait of the small town that became a notorious symbol of racism in South Africa...