12:47 minutes
Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco. VertiGhost features the re-creation of select scenes from Vertigo (which takes place in San Francisco), documentation of the life of a painting by Amedeo Modigliani in the Legion of Honor’s collection that was enshrouded by questions of authenticity, as well as interviews—including with the original film’s star Kim Novak— about the construction of realities in life and art. By thoughtfully overlaying these conversations and events, Hershman Leeson distills complex conversations around identity and authenticity into concise insights in just over 12 minutes. Hershman Leeson’s project explores the elusive nature of a singular identity, which haunts the characters in Hitchcock’s 1958 film—its most enigmatic representation being the painting of a supposed distant relative of the film’s protagonist Madeleine, around which her character and fate are imagined. In a powerful scene, psychologist and performer Nkechi Emeruwa sits at the Legion of Honor in the present day and recites her relationship with Alfred Hitchcock’s films. Growing up watching them with her mother in Nigeria, Emeruwa admits to watching his films with curiosity about the American mind. Having been raised in a place where she was considered the dominant culture, Emeruwa, a Black woman, says that in the United States that perspective is destabilized as she finds herself experiencing the world through the lens of its dominant culture—a white man. The film is full of complex moments like this one, challenging our common beliefs and provoking our notions.
Lynn Hershman Leeson is a celebrated Bay Area artist and filmmaker internationally renowned for her pioneering use of new technologies to explore key social issues. Her prolific body of work spans over four decades: from her early conceptual and performance works where she constructed an ‘official’ civilian record for her alter ego Roberta Breitmore, to her more recent works that intersect with the field of science to explore themes of identity, privacy, surveillance and the complex relationship between humans and technology, and the real and the virtual world. Hershman Leeson also addresses these key themes through her filmmaking, which is highly idiosyncratic and socially engaged. A notable example is her acclaimed documentary !Women Art Revolution , which focuses on the Feminist movement in the USA.
Carland’s series of large-format photographs Lesbian Beds (2002) depicts beds that have been recently vacated...
I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm...
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Burrito Bay is a video by George Kuchar that follows the format of a diary or travelogue centered on a tropical trip to Acapulco, Mexico...
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
603 Football Field presents a soccer game played inside a small student apartment in Shanghai...
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
This untitled painting by Tirdad Hasemi presents a space that can be thought of as both a prison cell and a house...
Weekly Picks: Malaysia (12–18 Nov 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 12, 2018 Bisikan Monsoon — Open Rehearsal , at Selangor & KL Kwang Tung Association, 13 Nov, 5:30pm An invitation to view the rehearsals for Kwang Tung Dance Company’s Bisikan Monsoon (the show is travelling to China later in the month)...
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Lynn Hershman Leeson Women Artists in KADIST’s and Videobrasil’s Collections An Online Video Exhibition streaming at videobrasil.online from September 27–November 28, 2021 From early on, the work of Lynn Hershman Leeson (1941, Cleveland, USA) anticipated the impact of technological developments on our lives and has explored how women’s identities are coded and decoded by them...