Untitled (Wave)
2021 - Film & Video (Film & Video)
30:19 minutes
Anne Imhof
Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime. Starring Imhof’s partner and collaborator Eliza Douglas, the film depicts a woman, naked from the waist up, dressed simply in tracksuit trousers, long black hair, feet dipped in the ocean water. The woman bears a long whip, while she looks out at the horizon and the waves lick at her bare feet. Throughout the video, the woman repeatedly whips at the sea, changing in direction, diverging in rhythm, in the shape of the circles that the movements of the arm and body draw in the air before inflicting an aggression on the water. The work frames the female body as daring and defiant; beating back the waves before the immensity of rebellious waters. With this exploration of image and movement, the artist creates resonance between the feminine, worship, and immateriality. Referring also to the history of art and aesthetic discourse, particularly to the concept of the sublime associated with the romantic period of contemplation of nature, of bleak and desolate landscapes conveying the smallness of the scale of the individual before the grandeur of the universe.
Anne Imhof expands the canonical conception of performance to consider documentation and transmission. Imhof’s approach to the visibility of performance negotiates different designs for time and space through installation and video. Her performances can thus be considered as ‘re-enactments’, as they are replayed in different contexts with variations to the installation. As part of her practice, Imhof often includes her friends and peers in a series of ongoing rehersals to expand and experiment with extra-linguistic forms of communication. In examining and studying movements and gestures, often performed over several hours in silence, Imhof produces a sophisticated vocabulary of contemporary performance art.
Colors:
Related works sharing similar palette
© » KADIST
Tanatchai Bandasak
2019Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War...
© » SOUTH CHINA MORNING POST
Why these ephemeral clay artworks by ceramicist Ruth Ju-shih Li will crumble in front of your eyes | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Taiwanese-Australian ceramicist Ruth Ju-shih Li installs an ephemeral clay artwork at the New Taipei City Yingge Ceramics Museum, in Taiwan, in 2019...
© » KADIST
Shi Guowei
Through a hand-painting process, Shi Guowei created Manufactured Landscape ...
© » ARTS EQUATOR
Quiz: What's Your Guilty Pleasure? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Kristina Flour via Unsplash November 11, 2021 It’s 2021 – and you’re constantly being told to be your best self! There’s that pile of books waiting to be read, countless browser tabs open with must-read articles, and a list of podcasts that are supposed to make you smarter...
© » ANOTHER
The West Hollywood Artist Who Immortalised LA’s Golden Boys | AnOther A new exhibition in New York showcases the work of Kenneth Kendall, an artist who sculpted James Dean, Marlon Brando and more in the bohemian atmosphere of late 20th-century Los Angeles February 06, 2024 Text Miss Rosen Back in the 1950s, Hollywood’s fabled Melrose Avenue was still a sleepy street home to cabinetmakers and print shops catering to the local community...
© » SLASH PARIS
Romain Best — Coulissements par frictions — Frac île-de-france, le Plateau — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Romain Best — Coulissements par frictions — Frac île-de-france, le Plateau — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Romain Best — Coulissements par frictions Exposition Installations, sculpture, techniques mixtes Romain Best, Coulissements par frictions, 2023 © Romain Best Romain Best Coulissements par frictions Encore 27 jours : 9 novembre 2023 → 7 janvier 2024 Présenté dans la Project Room du Plateau, Romain Best est né en 1995 à Lyon...
© » ARTNEWS
Michael Stipe on His Collection Exhibition at the Outsider Art Fair – ARTnews.com Skip to main content By Andy Battaglia Plus Icon Andy Battaglia Deputy Editor, ARTnews View All March 2, 2022 11:49am View Gallery 10 Images When Michael Stipe first started engaging with outsider art, he was a young buck learning the curious folkways of Athens, Georgia, while on the cusp of fronting the storied rock band R...
© » KADIST
Maria Bussman
2005The drawing “Heidegger’s Cabin” (2005) is inspired by Martin Heidegger’s essay, “The Origin of the Work of Art.” During the artist’s stay in a high alpine area, near a lake reservoir, Bussmann related the landscape in her surroundings to her reading of Heidegger’s terms on the work of art and the meaning of a “thing.” In attempt to link spiritual heights to natural heights, Bussmann metaphorically relates the subjects of being and truth to a hiking path, and its different degrees of challenge and risk...
© » KADIST
Karan Shrestha
2017After the decade-long conflict (1996-2006) that ended with Nepal becoming a Federal Democratic Republic, political unrest and weak governance continued to mark the country’s future as daily life repeatedly witnessed ruptures...
© » PAINTERS' TABLE
JAKE! @ Betty Cuningham Gallery | Painters' Table Skip to main content JAKE! @ Betty Cuningham Gallery https://johnmitchellworld.wordpress.com/2020/02/19/jake/ Jake Berthot, Chapel Trail Near Alter Road, 2000, oil on panel, 26 3/8 x 26 1/8 inches (courtesy of Betty Cuningham Gallery) John Mitchell visits the exhibition JAKE! at Betty Cuningham Gallery, New York, on view through February 23, 2020...
© » SLASH PARIS
Gildas Le Reste — & Guests — Galerie Catherine Putman — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Gildas Le Reste — & Guests — Galerie Catherine Putman — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Gildas Le Reste — & Guests Exposition Dessin, estampe, peinture Gildas Le Reste, Notes de voyage #1, 2023 Encre sur papier marouflé sur toile Gildas Le Reste & Guests Encore 27 jours : 27 janvier → 9 mars 2024 La galerie Catherine Putman est heureuse de proposer une double invitation à Gildas Le Reste, comme artiste et commissaire d’exposition...
© » SLASH PARIS
Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Gildas Le Reste — & Guests Exhibition Drawing, print, painting Gildas Le Reste, Notes de voyage #1, 2023 Ink on paper mounted on canvas Gildas Le Reste & Guests Ends in 27 days: January 27 → March 9, 2024 Galerie Catherine Putman has pleasure in making a double invitation to Gildas Le Reste as both artist and exhibition curator...
© » KADIST
Rometti Costales
2013The three cut-outs are made of three aerial photographs coming from the archives of the Ecuadorian Military Geographic Institute...