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Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime. Starring Imhof’s partner and collaborator Eliza Douglas, the film depicts a woman, naked from the waist up, dressed simply in tracksuit trousers, long black hair, feet dipped in the ocean water. The woman bears a long whip, while she looks out at the horizon and the waves lick at her bare feet. Throughout the video, the woman repeatedly whips at the sea, changing in direction, diverging in rhythm, in the shape of the circles that the movements of the arm and body draw in the air before inflicting an aggression on the water. The work frames the female body as daring and defiant; beating back the waves before the immensity of rebellious waters. With this exploration of image and movement, the artist creates resonance between the feminine, worship, and immateriality. Referring also to the history of art and aesthetic discourse, particularly to the concept of the sublime associated with the romantic period of contemplation of nature, of bleak and desolate landscapes conveying the smallness of the scale of the individual before the grandeur of the universe.
Anne Imhof expands the canonical conception of performance to consider documentation and transmission. Imhof’s approach to the visibility of performance negotiates different designs for time and space through installation and video. Her performances can thus be considered as ‘re-enactments’, as they are replayed in different contexts with variations to the installation. As part of her practice, Imhof often includes her friends and peers in a series of ongoing rehersals to expand and experiment with extra-linguistic forms of communication. In examining and studying movements and gestures, often performed over several hours in silence, Imhof produces a sophisticated vocabulary of contemporary performance art.
Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War...
Why these ephemeral clay artworks by ceramicist Ruth Ju-shih Li will crumble in front of your eyes | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Taiwanese-Australian ceramicist Ruth Ju-shih Li installs an ephemeral clay artwork at the New Taipei City Yingge Ceramics Museum, in Taiwan, in 2019...
View of Harbor by Jon Rafman mines the latent cultural imaginary surrounding climate change and society’s collective death drive...
The drawing “Heidegger’s Cabin” (2005) is inspired by Martin Heidegger’s essay, “The Origin of the Work of Art.” During the artist’s stay in a high alpine area, near a lake reservoir, Bussmann related the landscape in her surroundings to her reading of Heidegger’s terms on the work of art and the meaning of a “thing.” In attempt to link spiritual heights to natural heights, Bussmann metaphorically relates the subjects of being and truth to a hiking path, and its different degrees of challenge and risk...
Mathilde Lestiboudois — Le Matin des souffles — Les églises centre d'art de Chelles — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Mathilde Lestiboudois — Le Matin des souffles — Les églises centre d'art de Chelles — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Mathilde Lestiboudois — Le Matin des souffles Exposition Peinture Mathilde Lestiboudois, Bassins et drapés, 2022 160 × 200 cm Courtesy de l’artiste — BD Mathilde Lestiboudois Le Matin des souffles Encore environ un mois : 12 novembre 2023 → 21 janvier 2024 Pour son exposition au Centre d’art, Mathilde Lestiboudois conçoit une œuvre qui établit un dialogue avec l’architecture du lieu d’exposition...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Goicolea has made drawings based on a family album of relations that he did not know but who in one way or another contributed to his history and to the predicament in which he now finds himself as a Cuban in America...
Michael Stipe on His Collection Exhibition at the Outsider Art Fair – ARTnews.com Skip to main content By Andy Battaglia Plus Icon Andy Battaglia Deputy Editor, ARTnews View All March 2, 2022 11:49am View Gallery 10 Images When Michael Stipe first started engaging with outsider art, he was a young buck learning the curious folkways of Athens, Georgia, while on the cusp of fronting the storied rock band R...
7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
Quiz: What's Your Guilty Pleasure? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Kristina Flour via Unsplash November 11, 2021 It’s 2021 – and you’re constantly being told to be your best self! There’s that pile of books waiting to be read, countless browser tabs open with must-read articles, and a list of podcasts that are supposed to make you smarter...
Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Gildas Le Reste — & Guests Exhibition Drawing, print, painting Gildas Le Reste, Notes de voyage #1, 2023 Ink on paper mounted on canvas Gildas Le Reste & Guests Ends in 27 days: January 27 → March 9, 2024 Galerie Catherine Putman has pleasure in making a double invitation to Gildas Le Reste as both artist and exhibition curator...
Mathilde Lestiboudois — Le Matin des souffles — Les églises centre d'art de Chelles — Exhibition — Slash Paris Login Newsletter Twitter Facebook Mathilde Lestiboudois — Le Matin des souffles — Les églises centre d'art de Chelles — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Mathilde Lestiboudois — Le Matin des souffles Exhibition Painting Mathilde Lestiboudois, Bassins et drapés, 2022 160 × 200 cm Courtesy de l’artiste — BD Mathilde Lestiboudois Le Matin des souffles Ends in about 1 month: November 12, 2023 → January 21, 2024 Pour son exposition au Centre d’art, Mathilde Lestiboudois conçoit une œuvre qui établit un dialogue avec l’architecture du lieu d’exposition...
After the decade-long conflict (1996-2006) that ended with Nepal becoming a Federal Democratic Republic, political unrest and weak governance continued to mark the country’s future as daily life repeatedly witnessed ruptures...