30:19 minutes
Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime. Starring Imhof’s partner and collaborator Eliza Douglas, the film depicts a woman, naked from the waist up, dressed simply in tracksuit trousers, long black hair, feet dipped in the ocean water. The woman bears a long whip, while she looks out at the horizon and the waves lick at her bare feet. Throughout the video, the woman repeatedly whips at the sea, changing in direction, diverging in rhythm, in the shape of the circles that the movements of the arm and body draw in the air before inflicting an aggression on the water. The work frames the female body as daring and defiant; beating back the waves before the immensity of rebellious waters. With this exploration of image and movement, the artist creates resonance between the feminine, worship, and immateriality. Referring also to the history of art and aesthetic discourse, particularly to the concept of the sublime associated with the romantic period of contemplation of nature, of bleak and desolate landscapes conveying the smallness of the scale of the individual before the grandeur of the universe.
Anne Imhof expands the canonical conception of performance to consider documentation and transmission. Imhof’s approach to the visibility of performance negotiates different designs for time and space through installation and video. Her performances can thus be considered as ‘re-enactments’, as they are replayed in different contexts with variations to the installation. As part of her practice, Imhof often includes her friends and peers in a series of ongoing rehersals to expand and experiment with extra-linguistic forms of communication. In examining and studying movements and gestures, often performed over several hours in silence, Imhof produces a sophisticated vocabulary of contemporary performance art.
Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War...
Société Anonyme: Week 5 March 3 – 16, 2008 Saturday, March 8, from 6 – 9 p.m Presentation of “Art conceptuel, une entologie” (Editions MIX, edited by Gauthier Herrmann, Fabrice Reymond & Fabien Vallos) “Art Conceptuel, une entologie” is a collective translation experience of 278 conceptual artworks, most of them available for the first time in French...
Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Gildas Le Reste — & Guests Exhibition Drawing, print, painting Gildas Le Reste, Notes de voyage #1, 2023 Ink on paper mounted on canvas Gildas Le Reste & Guests Ends in 27 days: January 27 → March 9, 2024 Galerie Catherine Putman has pleasure in making a double invitation to Gildas Le Reste as both artist and exhibition curator...
In this interview, artist Pio Abad discusses his solo exhibition Kiss the Hand You Cannot Bite that draws from multiple histories of exile, resistance, and displacement from the ’70s and ’80s that brought Filipinos to California, home today to one of the largest diasporas of this community in the world...
OCAT Shanghai and KADIST are pleased to announce that Wang Tuo has been selected for a research residency at KADIST San Francisco as part of the OCAT x KADIST Emerging Media Artist Residency Program 2020 The artist was selected by an esteemed international jury from the shortlist of artists selected for the Emerging Media Artist Exhibition 2020...
Mathilde Lestiboudois — Le Matin des souffles — Les églises centre d'art de Chelles — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Mathilde Lestiboudois — Le Matin des souffles — Les églises centre d'art de Chelles — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Mathilde Lestiboudois — Le Matin des souffles Exposition Peinture Mathilde Lestiboudois, Bassins et drapés, 2022 160 × 200 cm Courtesy de l’artiste — BD Mathilde Lestiboudois Le Matin des souffles Encore environ un mois : 12 novembre 2023 → 21 janvier 2024 Pour son exposition au Centre d’art, Mathilde Lestiboudois conçoit une œuvre qui établit un dialogue avec l’architecture du lieu d’exposition...
Learn How to Draw Realistic Portraits in This Online Class Home / Classes / Academy Discover the Secrets of Drawing Realistic Portraits (Now on Pre-Sale!) By Jessica Stewart on December 5, 2023 Have you ever seen a realistic portrait and wished that you knew how to create something similar? Thanks to My Modern Met Academy's new course, Realistic Portrait Drawing Made Easy , you'll discover all the tips, tricks, and techniques to produce a portrait that looks incredibly real...
The three cut-outs are made of three aerial photographs coming from the archives of the Ecuadorian Military Geographic Institute...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Michael Stipe on His Collection Exhibition at the Outsider Art Fair – ARTnews.com Skip to main content By Andy Battaglia Plus Icon Andy Battaglia Deputy Editor, ARTnews View All March 2, 2022 11:49am View Gallery 10 Images When Michael Stipe first started engaging with outsider art, he was a young buck learning the curious folkways of Athens, Georgia, while on the cusp of fronting the storied rock band R...
The drawing “Heidegger’s Cabin” (2005) is inspired by Martin Heidegger’s essay, “The Origin of the Work of Art.” During the artist’s stay in a high alpine area, near a lake reservoir, Bussmann related the landscape in her surroundings to her reading of Heidegger’s terms on the work of art and the meaning of a “thing.” In attempt to link spiritual heights to natural heights, Bussmann metaphorically relates the subjects of being and truth to a hiking path, and its different degrees of challenge and risk...