Untitled (Wave)

2021 - Film & Video (Film & Video)

30:19 minutes

Anne Imhof


Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime. Starring Imhof’s partner and collaborator Eliza Douglas, the film depicts a woman, naked from the waist up, dressed simply in tracksuit trousers, long black hair, feet dipped in the ocean water. The woman bears a long whip, while she looks out at the horizon and the waves lick at her bare feet. Throughout the video, the woman repeatedly whips at the sea, changing in direction, diverging in rhythm, in the shape of the circles that the movements of the arm and body draw in the air before inflicting an aggression on the water. The work frames the female body as daring and defiant; beating back the waves before the immensity of rebellious waters. With this exploration of image and movement, the artist creates resonance between the feminine, worship, and immateriality. Referring also to the history of art and aesthetic discourse, particularly to the concept of the sublime associated with the romantic period of contemplation of nature, of bleak and desolate landscapes conveying the smallness of the scale of the individual before the grandeur of the universe.


Anne Imhof expands the canonical conception of performance to consider documentation and transmission. Imhof’s approach to the visibility of performance negotiates different designs for time and space through installation and video. Her performances can thus be considered as ‘re-enactments’, as they are replayed in different contexts with variations to the installation. As part of her practice, Imhof often includes her friends and peers in a series of ongoing rehersals to expand and experiment with extra-linguistic forms of communication. In examining and studying movements and gestures, often performed over several hours in silence, Imhof produces a sophisticated vocabulary of contemporary performance art.


Colors:



Related works of genres: » german contemporary artists  
» see more

9 O’clock? (my time is not your time)
© » KADIST

Tobias Rehberger

2007

9’oclock (my time is not your time) pertains to a series consisting of three numbers: 5, 10 and 11 works were made for the exhibition “Signs and messages from modern life” at the Kate McGarry Gallery in 2007...

Eight
© » KADIST

Ulla von Brandenburg

2007

Eight opens with a close up of a painting by Hubert Robert of the Chateau de Chamarande where the film was shot...

Echo 8
© » KADIST

Bettina Pousttchi

2009

For Bettina Poutsttchi’s large-format, site-specific photographic work Echo (2009–10), the four exterior walls of the Temporäre Kunsthalle Berlin were covered with a digitally edited collage of archival images of the glass-and-steel facade of the Palast der Republik (Palace of the Republic), which had once been located nearby...

First Piano
© » KADIST

Katinka Bock

2008

Like with other works of the artist, with First Piano Katinka Bock tried to go against the rules of use of clay, that is, by forcing the material to the extreme, and transferring the resulting elements into a cubic shaped volume...

Other related works, blended automatically  
» see more

Drawing for SOTSB II
© » KADIST

Anne Imhof

2013

“School of the seven Bells (SOTSB)” is based on a series of hands games in which an object is passed from hand to hand...

Related works sharing similar palette  
» see more

Phillips Drops a Last-Minute $35m Bacon Bomb on the November Sales
© » ARTMARKETMONITOR

Phillips Drops a Last-Minute $35m Bacon Bomb on the November Sales Francis Bacon, Pope with Owls, 1958 )$35-45m) Phillips announces tonight that it will offer Francis Bacon’s ‘Pope with Owls’ ($35 – 45 million) from 1958 during its New York Evening Sale of 20th Century & Contemporary Art...

Central Region
© » KADIST

Tanatchai Bandasak

2019

Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War...

Cosmovision V - VI - VII
© » KADIST

Rometti Costales

2013

The three cut-outs are made of three aerial photographs coming from the archives of the Ecuadorian Military Geographic Institute...

Michael Stipe on His Collection Exhibition at the Outsider Art Fair: ‘Chickens and How Funny They Look’
© » ARTNEWS

Michael Stipe on His Collection Exhibition at the Outsider Art Fair – ARTnews.com Skip to main content By Andy Battaglia Plus Icon Andy Battaglia Deputy Editor, ARTnews View All March 2, 2022 11:49am View Gallery 10 Images When Michael Stipe first started engaging with outsider art, he was a young buck learning the curious folkways of Athens, Georgia, while on the cusp of fronting the storied rock band R...

Other works by: » Anne Imhof  
» see more

Drawing for SOTSB II
© » KADIST

Anne Imhof

2013

“School of the seven Bells (SOTSB)” is based on a series of hands games in which an object is passed from hand to hand...

Related works found in the same semantic group  
» see more

Dreaming of the dream of the dream
© » KADIST

Jordan Wolfson

2004

Dreaming of the dream of the dream is a 16mm projection consisting of images of waves that come and go continuously...

Inner Child
© » KADIST

Bady Dalloul

2022

With Inner Child , Bady Dalloul continues his ongoing reflection on migration and belonging, putting in balance levantine and Japanese histories...

Aquaphobia
© » KADIST

Jakob Kudsk Steensen

2018

The virtual reality work Aquaphobia by Jakob Kudsk Steensen examines it’s title subject matter – the fear of water...