Untitled (Wall Street's Chosen Few…)

2000 - Painting (Painting)

Raymond Pettibon

location: Hermosa Beach, California
year born: 1957
gender: male
nationality: American
home town: Tucson, Arizona

Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification. A full story seems present but is not fully within the viewer’s grasp. Here, Pettibon draws a connection between legal restrictions on free speech and the power of an elite on Wall Street. The drawing correlates market fears to the panic that results from a warning shouted in a crowded theater. Pettibon offers no resolution, only starbursts that resemble both the beauty of fireworks and suggest oncoming explosions.


Before becoming famous in the art world, Raymond Pettibon’s punk-rock drawings were well-known in alternative scenes. His iconic album covers for bands such as Black Flag, Minuteman, and Sonic Youth have influenced younger artists who capture the intricacies of marginal youth and popular culture with a casual style. However, Pettibon’s graphic, comic-inspired black ink drawings of violent and antiauthoritarian subject matter remain unique.


Colors:



Related works featuring themes of: » Calligraphic, » City Scenes, » Collage, » Comic/Cartoon, » American

Office Voodoo
© » KADIST

Haegue Yang

2010

In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...

Untitled (Bird and Eyes)
© » KADIST

Clare Rojas

2008

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Dilemma, three way of fork in the road
© » KADIST

Jianwei Wang

2007

In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...

SpringValle_ber_girls
© » KADIST

Petra Cortright

2012

In the flash animation SpringValle_ber_girls , Petra Cortright collages together surreal scenes out of unnaturally idyllic desktop screensavers with equally unreal computer-generated women that pop in and out of the landscape...

Movement
© » KADIST

Li Ming

2014

In the eight-channel video installation Movement , Li Ming uses his body as a prop to interact with different means of transportation...

Splinters and Seconal
© » KADIST

Ed Ruscha

1973

In 1970, Ruscha began a series of paintings made from stains...

Sickhands
© » KADIST

Petra Cortright

2011

In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects...

Knotty Spell in Windy Drapes
© » KADIST

Haegue Yang

2016

A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...

Excerpt (Sealed) (Brown)
© » KADIST

Stephen G. Rhodes

2010

For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

The Crime of Art
© » KADIST

Kota Ezawa

2017

The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...

Two Eyes Two Mouth
© » KADIST

Erika Verzutti

2015

Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...

Unregistered City series #1 #2 #7
© » KADIST

Jiang Pengyi

2008

Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...

Untitled (Four-legged figure with three arms)
© » KADIST

Clare Rojas

2006

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...

Mother Pig, Shushi Gallery, San Diego Performance
© » KADIST

Paul McCarthy

1983

McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...