In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second. In a way, this work both examines the construction of history and the history of the influential magazine, which was founded in 1923. In addition to the play on “time”—one of Thomson’s ongoing obsessions—this piece highlights and continues the artist’s encyclopedic impulse, also seen in The White Album (2008), to record the history of the spaces he inhabits.
Mungo Thomson is a Los Angeles-based conceptual artist whose challenging works reveal a fascination with time, space, music, and perceptual phenomena in general. It has been pointed out that Thomson’s work privileges backgrounds: material (the white walls), institutional (the gallery), and historical.
Zanele Muholi’s Potent Portrait of South Africa’s Queer Community | AnOther As their new exhibition opens in San Francisco, Zanele Muholi talks about their powerful photos of queer survivors of hate crimes, couples in everyday moments, and self-portraits referencing history February 02, 2024 Text Emily Steer Zanele Muholi creates potent portraits...
How Jonathan LeVine Projects Embraces a Nimble Approach in a Hybrid Art World | Artsy Skip to Main Content Advertisement Art Market How Jonathan LeVine Projects Embraces a Nimble Approach in a Hybrid Art World Maxwell Rabb Jan 23, 2024 10:06PM Portrait of Jonathan LeVine wearing a Fez by Dylan Egan...
February Book Bag: from to a graphic novel of Ruth Asawa’s life to a tome of Glenn Brown’s works Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books blog February Book Bag: from to a graphic novel of Ruth Asawa’s life to a tome of Glenn Brown’s works Our round-up of the latest art publications Gareth Harris 6 February 2024 Share Glenn Brown , contributors include Hans Werner Holzwarth, Taschen, 474pp, £750 (hb) This new monograph gives an in-depth overview of the work of the UK artist Glenn Brown, known for his reproductions of other artists’ works—including those byOld Masters, the greats of Modern art and science-fiction illustrators—which he transforms by radically reconfiguring their colour, orientation and size...
Illusions of home, and the hyper-capitalism behind technology, explored in show by Hong Kong artist who finally feels at home … in Finland | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more A still from Everything is a Projection (2023), a video in which Hong Kong-born, Finland-based artist Sheung Yiu explains what it felt like to rediscover childhood comic books and how he tried and failed to preserve their essence...
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
Jamie Chan and Sonya Derman: Indoor Interference at Essex Flowers, NYC (Review) - ArteFuse Installation view, Jamie Chan and Sonya Derman: Indoor Interference at Essex Flowers Gallery, New York, 2024 Jamie Chan and Sonya Derman: Indoor Interference Curated by Sophia Ma at Essex Flowers Gallery Jan 6 – Feb 4, 2024 It is hard to put the feelings of estrangement into words, or colors and lines...
Rosalind Nashashibi’s paintings incorporate motifs drawn from her day-to-day environment, often reworked with multiple variations...
Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...