Untitled (TIME)

2010 - Film & Video (Film & Video)

Mungo Thomson

location: Los Angeles, California
year born: 1969
gender: male
nationality: American

In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second. In a way, this work both examines the construction of history and the history of the influential magazine, which was founded in 1923. In addition to the play on “time”—one of Thomson’s ongoing obsessions—this piece highlights and continues the artist’s encyclopedic impulse, also seen in The White Album (2008), to record the history of the spaces he inhabits.


Mungo Thomson is a Los Angeles-based conceptual artist whose challenging works reveal a fascination with time, space, music, and perceptual phenomena in general. It has been pointed out that Thomson’s work privileges backgrounds: material (the white walls), institutional (the gallery), and historical.


Colors:



Other related works, blended automatically

The Left Hand Can't See That the Right Hand is Blind
© » KADIST

Douglas Gordon

2004

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...

Blind Spencer (Mirror)
© » KADIST

Douglas Gordon

2002

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...

Meeting #100
© » KADIST

Jonathan Monk

Meeting #100 is one in a series of text works by Jonathan Monk...

Vulnerabilia
© » KADIST

Jonathan Hernández

2008

In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...

Untitled #1 #2 #3
© » KADIST

Piero Golia

2007

Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...

603 Football Field
© » KADIST

Qing Zhang

2006

603 Football Field presents a soccer game played inside a small student apartment in Shanghai...

Subject, Silver, Prism
© » KADIST

Brian Jungen

2011

There are several elements to Subject, Silver, Prism ...

I Am A Man
© » KADIST

Hank Willis Thomas

2013

The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...

Cityscapes 1 (boats), 2 (woods)
© » KADIST

Hamra Abbas

2010

At first glance, Cityscapes (2010) seems to be a collection of panoramic photographs of the city of Istanbul—the kind that are found on postcards in souvenir shops...

I am the Greatest
© » KADIST

Hank Willis Thomas

2012

Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...

The Making of Monster
© » KADIST

Douglas Gordon

1996

In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...

Never Leave Home Without It
© » KADIST

Aaron Young

2007

The artist describes the work as “very performative video-pieces but they take on a more sculptural feel...

Tremble
© » KADIST

Jiang Zhi

2009

In the video installation Tremble, Jiang projected the life-size images of seven naked men and women onto seven individual screens...

Black Hands, White Cotton
© » KADIST

Hank Willis Thomas

2014

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Metaphors of the presence or conversations at the speed of light
© » KADIST

Nicolás Paris

2012

Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...

7-headed Lalandau Hat
© » KADIST

Yee I-Lann

2020

7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...

One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...