110 x 140 cm
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials. Untitled (Ticket Roll) belongs to this group of sculptures and consists of three smooth ornate marble elements and a roll of public transport tickets. The artist poetically associates finesse and fragility as in a number of these works. Here the line of the ticket roll, partly unraveled, is held down by the balancing marble elements thus creating an interdependence between elements de different natures. Gabriel Kuri’s sculptural work involves a narrative through various elements from daily life resulting from specific areas of our contemporary social structures : tickets, banknotes, bills, credit cards, toiletry samples from hotels…
Gabriel Kuri works from repurposed natural, industrial, and mass-produced objects and materials including soda cans, shopping bags, receipts, insulation foam, shells, and magazines. Focusing his attention – through almost Dadaist means – on consumer culture, Kuri playfully charts transactions and creates systems that speak about both everyday life and the global economy. His practice is often site-specific and refers to the site of exhibition. Kuri lives and works between Mexico and Brussels.
With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...
Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time...
Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...
In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...
In his posters, prints, and installations, Erick Beltrán employs the language and tools of graphic design, linguistics, typography, and variations in alphabetical forms across cultures; he is specifically interested in how language and meaning form structures that can be misconstrued as universal...
During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...
Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...