Untitled (Ticket Roll)

2010 - Installation (Installation)

110 x 140 cm

Gabriel Kuri

location: Mexico City; Brussels, Belgium
year born: 1970
gender: male
nationality: Mexican
home town: Mexico City, Mexico

Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials. Untitled (Ticket Roll) belongs to this group of sculptures and consists of three smooth ornate marble elements and a roll of public transport tickets. The artist poetically associates finesse and fragility as in a number of these works. Here the line of the ticket roll, partly unraveled, is held down by the balancing marble elements thus creating an interdependence between elements de different natures. Gabriel Kuri’s sculptural work involves a narrative through various elements from daily life resulting from specific areas of our contemporary social structures : tickets, banknotes, bills, credit cards, toiletry samples from hotels…


Gabriel Kuri works from repurposed natural, industrial, and mass-produced objects and materials including soda cans, shopping bags, receipts, insulation foam, shells, and magazines. Focusing his attention – through almost Dadaist means – on consumer culture, Kuri playfully charts transactions and creates systems that speak about both everyday life and the global economy. His practice is often site-specific and refers to the site of exhibition. Kuri lives and works between Mexico and Brussels.


Colors:



Other related works, blended automatically

Roca Carbón (Charcoal Rock)
© » KADIST

Mateo Lopez

2012

With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...

Avenida Corona del Rosal
© » KADIST

Pablo Rasgado

2011

Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...

Adaptando la Carta #1, #2, #3, #4, #5
© » KADIST

Fabiola Torres-Alzaga

2013

Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions...

Sunday (Domingo)
© » KADIST

Rivane Neuenschwander

2010

In this video, a parrot chews on seeds printed with punctuation marks...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Dilemma, three way of fork in the road
© » KADIST

Jianwei Wang

2007

In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...

A Slap in Wuhan
© » KADIST

Li Liao

2010

A Slap in Wuhan documents Li Liao’s performance in Wuhan, China on January 8, 2011...

¿Quién medirá el espacio, quién me dirá el momento?, 1 (columna alfarero)
© » KADIST

Mariana Castillo Deball

2015

Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...

Until It Makes Sense
© » KADIST

Mario Garcia Torres

2004

Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...

La Ligne du Temps
© » KADIST

Valeska Soares

2012

Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...

Shangri-La
© » KADIST

Patty Chang

The video “Shangri-La” refers to the mythical city of James Hilton’s novel “Lost Horizon” written in 1933 and is exemplified in a film by Frank Capra which speaks of eternal youth in a city of happiness...

JCA-25-SC
© » KADIST

Jedediah Caesar

2010

After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles...

Sleeping Elephant in the Axis of Yogyakarta Series
© » KADIST

Wimo Ambala Bayang

2011

Composed of four images, the series Sleeping Elephant in the Axis of Yogyakarta (2011) explores the artist’s observation of how Javanese mythology and cosmology have marked the geography of Yogyakarta, the cultural centre of Indonesia...

Versions
© » KADIST

Oliver Laric

2012

Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time...

Roca Grafito (Graphite Rock)
© » KADIST

Mateo Lopez

2012

With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...

20 Surrogates
© » KADIST

Allan McCollum

1982

In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...

Useless Wonder
© » KADIST

Carlos Amorales

2006

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...