6 x 96 in. / 15.24 x 243.84 cm
In Untitled (Sword) , addressing histories of colonialism with abstraction, a large steel blade extends from the gallery wall. Its severed tip dangles from the end of the blade by a string, floating just above the gallery floor.
Mumbai-based Shilpa Gupta’s practice crosses disciplines and media to include interactive videos, websites, objects, photographs, sound, and public performances. Probing and examining themes such as desire, religion, tradition, gender, global capitalism, social injustice, security, borders, and power, Gupta actively engages herself with the political and cultural world around her.
Sélection galerie : Farnood Esbati chez Christian Berst Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Sans titre (vers 2020), de Farnood Esbati...
War of words over China breaks out on London graffiti wall - France 24 Skip to main content War of words over China breaks out on London graffiti wall Issued on: 09/08/2023 - 15:42 02:27 War of words over China breaks out on London graffiti wall (2023) © AFP / France 24 Video by: Juliette MONTILLY Follow Long renowned as a graffiti artist's heaven, Brick Lane in east London has found itself at the heart of a furious political debate overseas after a group of Chinese art students spray-painted Communist Party slogans over one of its walls...
“Dark Clouds Of The Future” is a cinematographic video animation of the abandoned gold mine in Brazil, Serra Pelada (“Naked Mountain”)...
A Change of Perspective — Ndayé Kouagou — Frac île-de-france, le Plateau — Exhibition — Slash Paris Login Newsletter Twitter Facebook A Change of Perspective — Ndayé Kouagou — Frac île-de-france, le Plateau — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back A Change of Perspective — Ndayé Kouagou Exhibition Film, performance, mixed media, video Upcoming Ndayé Kouagou, A coin is a coin, 2022 © Ndayé Kouagou A Change of Perspective Ndayé Kouagou In 2 months: September 21, 2023 → February 18, 2024 Emblematic of the artists of his generation, Ndayé Kouagou does not establish a hierarchy between his different language-based practices...
LaToya Ruby Frazier is an artist and a militant; her photos combine intimate views of her relation with her parents and grandparents with the history of the Afro-American community of Braddock, Pennsylvania, where she grew up and where her family still live...
Tsumeb Fragments was produced for the exhibition at Kadist, “Comot Your Eyes Make I Borrow You Mine” in 2015...
Yes, Toronto based Bahamian artist Gio Swaby is back on the podcast! I only had her on seven months ago, but since then her career has exploded… clearly, we need to hear everything! From articles in the New York Times and interviews on oprah.com, to five (FIVE!) museums acquiring her work! Also, can we talk […]...
The series The Memory of Trees is specifically about trees, and what trees have witnessed in South Africa: for example, trees that were used as locations for slave trading, or trees that was during the anti-Apartheid struggle as a kind of identifier for a safe house for activists who were fleeing from security forces...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
Through a semi-fictional approach, Extrastellar Evaluations envisions a version of history in which alien inhabitants, the Lemurians, lived among humans under the guise of various renowned conceptual and minimal artists in the 1960s (Carl Andre, Mel Bochner, and James Turrell to name a few)...
ANCER Lab 03 Manila: How arts managers are surviving COVID-19 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Mah Jun Yi and Low Pey Sien November 22, 2021 By Wennie Yang (1,200 words, 4-minute read) Pandemic restrictions have put arts and cultural workers and institutions in a bind: choosing between sustaining their missions at times of a global pandemic or ceasing operations altogether...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...