Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon. Designed by the architect Richard Neutra, its gray glass, white expanses, and simple forms exude austerity. Luisa Lambri’s photograph Untitled (Sten-Frenke House #04) (2007)recalls the unembellished elegance of the structure while also alluding to modernist painting; the image is less a picture than an abstract expanse that conveys its own flatness. Whereas avant-garde paintings strove to suggest nothing but their own essence, Lambri inverts this aim, using the two-dimensionality of the photographic print to point elsewhere.
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light. The architect’s longtime studio and residence, which he built in Los Angeles in 1922, exemplifies this philosophy, and has since become an influential part of the modernist architectural canon. In Untitled (Schindler House #01) (2007), Luisa Lambri describes Schindler’s studio by capturing its aftereffects—the play of light and shadow cast through branches onto a surface. The photograph is an ethereal portrait of Schindler’s work and ethos, evoking the building without actually depicting its concrete slabs and untreated wood.
Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico...
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico...
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...
Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...
Squid Currency is a series of 13 non-calibrated double-sided tin coins made using a casting technique dating back to Neolithic times where cuttlebones (squid bones) were carved by hand and then used as a mold...
Adrien Missika follows in the footsteps of the Brazilian landscape architect and artist Roberto Burle Marx (1909-1994), a designer of gardens, parks and promenades who introduced modern landscape architecture to Brazil...
In this interview, artist Pio Abad discusses his solo exhibition Kiss the Hand You Cannot Bite that draws from multiple histories of exile, resistance, and displacement from the ’70s and ’80s that brought Filipinos to California, home today to one of the largest diasporas of this community in the world...
Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
In Gradation (2011), nine raspberries lined up on a lichen-dotted rock progress from left to right, dark to light, plump and juicy to not-yet-ripe...
Gabriel Orozco often documents found situations in the natural or urban landscape...
Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...