Untitled (Schindler House, #01)
2007 - Photography (Photography)
Luisa Lambri
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light. The architect’s longtime studio and residence, which he built in Los Angeles in 1922, exemplifies this philosophy, and has since become an influential part of the modernist architectural canon. In Untitled (Schindler House #01) (2007), Luisa Lambri describes Schindler’s studio by capturing its aftereffects—the play of light and shadow cast through branches onto a surface. The photograph is an ethereal portrait of Schindler’s work and ethos, evoking the building without actually depicting its concrete slabs and untreated wood.
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light. The architect’s longtime studio and residence, which he built in Los Angeles in 1922, exemplifies this philosophy, and has since become an influential part of the modernist architectural canon. In Untitled (Schindler House #01) (2007), Luisa Lambri describes Schindler’s studio by capturing its aftereffects—the play of light and shadow cast through branches onto a surface. The photograph is an ethereal portrait of Schindler’s work and ethos, evoking the building without actually depicting its concrete slabs and untreated wood.
Colors:
Related works sharing similar palette
© » KADIST
Joana Hadjithomas & Khalil Joreige
Rocket Society refers to a space project led by a group of Armenian researchers at the beginning of the 1960s...
© » KADIST
LaToya Ruby Frazier
2011LaToya Ruby Frazier is an artist and a militant; her photos combine intimate views of her relation with her parents and grandparents with the history of the Afro-American community of Braddock, Pennsylvania, where she grew up and where her family still live...
© » LITHUB
Plain-Spoken Performance Art: A Conversation with Laurie Anderson ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture The Virtual Book Channel Film and TV Music Art and Photography Food Travel Style Design Science Technology History Biography Memoir Bookstores and Libraries Freeman’s Sports The Hub Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Just the Right Book Keen On Literary Disco The Literary Life with Mitchell Kaplan The Maris Review New Books Network Open Form Otherppl with Brad Listi So Many Damn Books Thresholds Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast WMFA Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Via Columbia University Press Plain-Spoken Performance Art: A Conversation with Laurie Anderson Brooke Wentz Talks to the Legendary Artist about Art School, Eavesdropping, and the Avant-Garde By Brooke Wentz December 8, 2023 The first thing you notice about Laurie Anderson is her voice...
© » SLASH PARIS
A Change of Perspective — Ndayé Kouagou — Frac île-de-france, le Plateau — Exposition — Slash Paris Connexion Newsletter Twitter Facebook A Change of Perspective — Ndayé Kouagou — Frac île-de-france, le Plateau — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour A Change of Perspective — Ndayé Kouagou Exposition Film, performance, techniques mixtes, vidéo À venir Ndayé Kouagou, A coin is a coin, 2022 © Ndayé Kouagou A Change of Perspective Ndayé Kouagou Dans 2 mois : 21 septembre 2023 → 18 février 2024 Emblématique des artistes de sa génération, Ndayé Kouagou n’établit pas de hiérarchie entre ses différentes pratiques articulées autour du langage...
© » ARTS EQUATOR
AE x Goethe-Institut Critical Writing Micro-Residency: Meet the Writers (Part 2) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints May 28, 2021 We recently announced our selected resident writers for the inaugural AE x Goethe-Institut Critical Writing Micro-Residency, focusing on the development and promotion of critical writing about arts and culture in Southeast Asia...
© » KADIST
Kelly Sinnapah Mary
2021Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
© » KADIST
Kristof Kintera
2007Bad innovation in the name of protection is not a ready-made, but was made entirely by the artist, representing a stroller...
© » KADIST
Nikita Kadan
2013Ukraine is under tension due to the politics of President lanoukovitch since 2010...
© » KADIST
Mateo Lopez
2012With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
© » KADIST
Rocky Cajigan
2017From the Beginning by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor...
© » KADIST
Conceived as the catalogue of the exhibition “L’exigence de la saudade”, this publication gathers: Essays, Interview, Artists’s notes ( in English) 48 pages, illustrations, b&w 5 euros Padmini Chettur | Maarten Visser Zamthingla Ruivah | Prajakta Potnis Zasha Colah | Sumesh Sharma Emilie Villez | Léna Monnier | Jean Bhownagary Tyeb Mehta | Nalini Malani | Judy Blum Krishna Reddy | Justin Ponmany Prabhakar Pachpute | Victorine Grataloup Yogesh Barve | Sachin Bonde | Poonam Jain Mangesh Kapse | Carla Montenegro pad.ma Amol Patil | Nikhil Raunak | Alexandre Singh...
© » KADIST
Douglas Gordon
2004Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...
© » KADIST
Randa Maddah
2017Shot from the rooftop of her house in Majdal Shams, through a complex construction of moving mirrors, this video connects both sides of the border which has cut through Syrian Golan heights since the 1967 Six-Day war...