Untitled (Painting of a Man Leaving in Boat)

2010 - Painting (Painting)

Chris Johanson

location: Los Angeles, California
year born: 1968
gender: male
nationality: American
home town: San Jose, California

Chris Johanson’s Untitled (Painting of a Man Leaving in Boat) (2010) pictures a canoe drifting toward an off-kilter horizon line, which demarcates the cobalt sea from the cerulean sky. An orange-haired figure, oar positioned in mid-stroke, looks ahead—whether toward an edge or an infinite expanse, it is impossible to tell. Echoing a trope that recurs in Greek epic poetry, transcendental painting, and current-day reality television, the character is alone with nature. We witness—and likely empathize with—his voyage.


The prolific Chris Johanson produces paintings, zines, installations, and sculptures that are notable for their earnest, almost childlike abstraction. His work delves unabashedly into the emotional, social, and spiritual aspects of human nature, tracking points of commonality and difference using simple shapes and lines as well as an unflagging sense of magnanimous humor.


Colors:



Untitled
© » KADIST

Barry McGee

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

Untitled (Bird and Eyes)
© » KADIST

Clare Rojas

2008

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...

Iron Sorrows
© » KADIST

Alexis Smith

1990

Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...

Collapse
© » KADIST

Will Rogan

2007

Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...

Destilaciones
© » KADIST

Ximena Garrido Lecca

2014

Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...

Memory Mistake of the Eldridge Cleaver Pants
© » KADIST

Paul McCarthy

2008

Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...

Untitled (Butterfly)
© » KADIST

Mark Grotjahn

2002

This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...

Paper Tigers…from a whisper to a scream
© » KADIST

Juan Capistran

2012

The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...

Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D.F., Third Gallery
© » KADIST

Tina Modotti

1927

Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...

Excerpt (Sealed) (Brown)
© » KADIST

Stephen G. Rhodes

2010

For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...

Forest Gathering N.2
© » KADIST

Gregory Crewdson

2005

Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...

Mickey Mouse
© » KADIST

Paul McCarthy

2010

To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...

Radical Hospitality
© » KADIST

Andrea Bowers

2015

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

Domes, #1
© » KADIST

Judy Chicago

1969

Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...

Never Leave Home Without It
© » KADIST

Aaron Young

2007

The artist describes the work as “very performative video-pieces but they take on a more sculptural feel...

The Last Post
© » KADIST

Shahzia Sikander

2010

The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...