Untitled

2013 - Sculpture (Sculpture)

N. Dash

location: New Mexico & New York
year born: 1980
gender: female
nationality: American
home town: Miami Beach, Florida

Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive. Through these delicate and time-consuming processes, the artist’s bodily interaction with the material becomes clear, with marks of its making and traces of the artist’s hand embedded in the surface of her quiet compositions.


N. Dash’s minimal abstract works are driven by an interest and engagement with materials. Beginning with an intimate knowledge of her material choices—usual suspects include graphite, jute, twine, wood, and an unusual Adobe clay—Dash creates simple compositions that foreground the qualities of her materials.


Colors:



Related works featuring themes of: » Altered and Substituted Canvases, » Close-Up, » Color Photography, » Contemporary Conceptualism, » American

Untitled (Family Project)
© » KADIST

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Exquisite Eco Living (executive Properties series)
© » KADIST

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The Tower of Babel: Independence of the country
© » KADIST

Du Zhenjun

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Sexy
© » KADIST

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South Africa Righteous Space
© » KADIST

Hank Willis Thomas

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© » KADIST

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Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos...

Blind Spencer (Mirror)
© » KADIST

Douglas Gordon

2002

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The Making of Monster
© » KADIST

Douglas Gordon

1996

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Swimming in Rivers of Glue
© » KADIST

Julieta Aranda

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The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...

The Nightwatch
© » KADIST

Francis Alÿs

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The Nightwatch , which is an ironic reference to the celebrated painting by Rembrandt, follows the course of a fox wandering among the celebrated collections of the National Portrait Gallery in London...

Cemetery #1
© » KADIST

Gabriel Orozco

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Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...

Untitled #1 #2 #3
© » KADIST

Piero Golia

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Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...

Ammo Bunker
© » KADIST

Mario Ybarra Jr.

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Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion)
© » KADIST

Adrian Wong

2012

Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...

Wall Window or Bar Sign (Insanity is Doing the Same Thing Over and Over and Expecting Different Results)
© » KADIST

Mungo Thomson

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Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...

Charco portatil congelado (Frozen Portable Puddle)
© » KADIST

Gabriel Orozco

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Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...

Untitled (Perfect Lovers + 1)
© » KADIST

Cerith Wyn Evans

2008

Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...

Chu’u Mayaa
© » KADIST

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Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...