Untitled (Miller House, #02)
2002 - Photography (Photography)
Luisa Lambri
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California. Commissioned by industrialist J. Irwin Miller and his wife Xenia Simons Miller, and built by Richard Neutra in 1937, the Miller house’s open and flowing layout expands upon modernist architectural traditions. It features a flat roof, stone and glass walls, with rooms configured beneath a grid pattern of skylights and supporting cruciform steel columns. Rather than a distanced view of the overall structure—favored by modernist architectural photographers like Julius Shulman—Lambri instead works from the inside, focusing on Saarinen’s windows and the soft, even light. The resulting image is a poetic abstraction, an architectural photograph that yields not only a picture of a building, but suggests what it actually feels like to be in that architectural space.
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light. The architect’s longtime studio and residence, which he built in Los Angeles in 1922, exemplifies this philosophy, and has since become an influential part of the modernist architectural canon. In Untitled (Schindler House #01) (2007), Luisa Lambri describes Schindler’s studio by capturing its aftereffects—the play of light and shadow cast through branches onto a surface. The photograph is an ethereal portrait of Schindler’s work and ethos, evoking the building without actually depicting its concrete slabs and untreated wood.
Colors:
Other related works, blended automatically
© » KADIST
Luisa Lambri
2007Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
© » KADIST
Tina Modotti
1930The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico...
© » KADIST
Tina Modotti
1927Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...
© » KADIST
James Welling
2006Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
© » KADIST
Joachim Koester
2007Tarantism is the name of disease which appeared in southern Italy, resulting from the bite of a spider called Tarantula...
© » KADIST
Paul McCarthy
2008Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
© » KADIST
Yto Barrada
2004In this photographic series, Yto Barrada was interested in the logos of the buses that travel between North Africa and Europe...
© » KADIST
Wolfgang Tillmans
2017Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...
© » KADIST
Lin Yilin
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
© » KADIST
Julian Hoeber
2011Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
© » KADIST
Yee I-Lann
20207-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
© » KADIST
Catherine Opie
1994Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
© » KADIST
Paul McCarthy
2010To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...
© » KADIST
Bruce Conner
2008Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
© » KADIST
Walead Beshty
2012Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
© » KADIST
Yto Barrada
2007This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...
© » KADIST
Walead Beshty
2010Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
© » KADIST
Paul McCarthy
1983McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...