Untitled (Men)

2011 - Photography (Photography)

Matt Lipps

location: San Francisco, California
year born: 1975
gender: male
nationality: American
home town: San Francisco, California

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form. For Untitled (Men) (2011), he snipped from magazines and textbooks pictures of handsome or famous men, from the ancient Greek to the modern. Arranged in a tableau, lit theatrically, and rephotographed, the two-dimensional figures have an embodied presence. While orange and blue lights transform them into a cohesive community, their ordered arrangement also draws out their smallness and flatness, deflating any hypothesis of a great empire or platonic ideal with one carefully calculated swipe.


Matt Lipps is a photographer whose strategies extend to include sculpture and installation. In his series Home (2008), jagged rocks and threatening ice floes impinge upon life-size domestic interiors. In a body of work entitled ‘70s (2004-2006), Lipps rephotographed 1970s male pornography, carefully lifting the models from their magazine pages, backing them with cardboard, and repositioning them amid contemporary, stage-lit bedspreads. Cropped elbows, toes, knees, and legs signal the switch in time and space, in a gesture of humorous transparency characteristic of his work.


Colors:



Untitled 3737 and Untitled 5157
© » KADIST

Todd Hido

2005

The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime...

Video: Catherine Opie on photographing leading British artists
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Catherine Opie

Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...

Cathy (bed self-portrait)
© » KADIST

Catherine Opie

1987

Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...

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Made in Heaven
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Mark Leckey

2004

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...

Re: Looking
© » KADIST

Wong Hoy Cheong

2004

Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...

Gary Gilpatrick, Insulator
© » KADIST

Sharon Lockhart

2008

Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...

Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido)
© » KADIST

Claudia Joskowicz

2015

Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...

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Untitled (Women)
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Matt Lipps

2011

Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...

Made in Heaven
© » KADIST

Mark Leckey

2004

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...

Re: Looking
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Wong Hoy Cheong

2004

Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...

Untitled #242, 104, 975 combinations of a 2×2 grid, 18 colors
© » KADIST

John Houck

2013

Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines...

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Slated for [ ]: on Declutter Me! and Frequencies
© » ARTS EQUATOR

Slated for [ ]: on Declutter Me! and Frequencies | ArtsEquator Skip to content Xiao Ting Teo is moved to consider how the detritus of being shapes us anew as she encounters two works, "Declutter Me!" and "Frequencies" at the The Substation's annual SeptFest 2022: uproot | rootless...

I am not going to sing
© » KADIST

siren eun young jung

2015

Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...

Historic New York ceramic studio fires up second location
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Historic New York ceramic studio fires up second location Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Pottery news Historic New York ceramic studio fires up second location With its Jones Street home operating at full capacity, Greenwich House Pottery is opening a new outpost in Chelsea Hilarie M...

The Wheat Stele Chronicles: An Underwater Artistic Odyssey with Gola Hundun,”Stele del Grano”
© » BROOKLYN STREET ART

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Silencer #16 & #17
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Will Rogan

2010

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

Serengeti Green
© » KADIST

Phillip Maisel

2015

While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...

Fordlândia Fieldwork
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Clarissa Tossin

2012

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

Chu’u Mayaa
© » KADIST

Clarissa Tossin

2017

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

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Untitled (Women)
© » KADIST

Matt Lipps

2011

Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...

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John Sainsbury, Supermarket Magnate Who Transformed London’s Museums, Dies at 94 - via ARTnews
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Untitled
© » KADIST

Hama Goro

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3 Art-World Experts on How the Art Market Will Change in 2021 - via Artsy
© » LARRY'S LIST

An auction house president, a gallerist, and a fair director take stock of the seismic changes of 2020 and look toward the future....