Untitled (Men)

2011 - Photography (Photography)

Matt Lipps

location: San Francisco, California
year born: 1975
gender: male
nationality: American
home town: San Francisco, California

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form. For Untitled (Men) (2011), he snipped from magazines and textbooks pictures of handsome or famous men, from the ancient Greek to the modern. Arranged in a tableau, lit theatrically, and rephotographed, the two-dimensional figures have an embodied presence. While orange and blue lights transform them into a cohesive community, their ordered arrangement also draws out their smallness and flatness, deflating any hypothesis of a great empire or platonic ideal with one carefully calculated swipe.


Matt Lipps is a photographer whose strategies extend to include sculpture and installation. In his series Home (2008), jagged rocks and threatening ice floes impinge upon life-size domestic interiors. In a body of work entitled ‘70s (2004-2006), Lipps rephotographed 1970s male pornography, carefully lifting the models from their magazine pages, backing them with cardboard, and repositioning them amid contemporary, stage-lit bedspreads. Cropped elbows, toes, knees, and legs signal the switch in time and space, in a gesture of humorous transparency characteristic of his work.


Colors:



Untitled 3737 and Untitled 5157
© » KADIST

Todd Hido

2005

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Video: Catherine Opie on photographing leading British artists
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Catherine Opie

Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...

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Made in Heaven
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Mark Leckey

2004

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...

Re: Looking
© » KADIST

Wong Hoy Cheong

2004

Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...

The Breaks
© » KADIST

Juan Capistran

2002

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© » KADIST

Claudia Joskowicz

2009

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...

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Untitled (Women)
© » KADIST

Matt Lipps

2011

Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...

Made in Heaven
© » KADIST

Mark Leckey

2004

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...

Re: Looking
© » KADIST

Wong Hoy Cheong

2004

Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...

The Last Post
© » KADIST

Shahzia Sikander

2010

The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...

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Slated for [ ]: on Declutter Me! and Frequencies
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Slated for [ ]: on Declutter Me! and Frequencies | ArtsEquator Skip to content Xiao Ting Teo is moved to consider how the detritus of being shapes us anew as she encounters two works, "Declutter Me!" and "Frequencies" at the The Substation's annual SeptFest 2022: uproot | rootless...

I am not going to sing
© » KADIST

siren eun young jung

2015

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AE x Goethe-Institut Critical Writing Micro-Residency: Meet the Writers (Part 2)
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AE x Goethe-Institut Critical Writing Micro-Residency: Meet the Writers (Part 2) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints May 28, 2021 We recently announced our selected resident writers for the inaugural AE x Goethe-Institut Critical Writing Micro-Residency, focusing on the development and promotion of critical writing about arts and culture in Southeast Asia...

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Silencer #16 & #17
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Will Rogan

2010

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

Serengeti Green
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Phillip Maisel

2015

While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...

There are veins in these lands, I
© » KADIST

Rodney McMillian

2013

In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...

Eraser
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Will Rogan

2014

Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...

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Untitled (Women)
© » KADIST

Matt Lipps

2011

Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...

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John Sainsbury, Supermarket Magnate Who Transformed London’s Museums, Dies at 94 - via ARTnews
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He and his brothers $35 million toward the building of a wing at the National Gallery....

Billionaire Leonard A. Lauder Is Writing a Book - Page Six
© » LARRY'S LIST

A source said the tome will be “about Lauder’s life and extraordinary career and the lessons he has learned along the way.”...

Drag
© » KADIST

Xiaoyun Chen

2006

In the video work Drag, a man in a dark room pulls on the end of a rope...