This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series. It’s contrasting dark and vibrant tones presage his later series of works, exhibited at L. A.’s Hammer Museum as Scorched Earth. These larger works share a map-like quality, looking like aerial views of some scarred urban landscape. Black and red lines sear across the compositions, made through Bradford’s unique layering and burning techniques. The 2012 print—a small shard, perhaps, from one of these larger views of the land—shares this approach. Greyed fragments crisp along the edges into rock-like formations, engulfed in the umber and orange colors of fire.
Born and raised in Los Angeles, artist Mark Bradford draws material, inspiration, and methods from the city streets that surround him. His large-scaled collage paintings for which he is known are often built up through layers of repurposed street advertisements, hair papers, flyers, and scraps. Cementing these fragments together with paint and overlaying recycled street art stencils, Bradford evokes rich, colorful works that are alive with texture, and teeming with shards of the material world. In his earliest works, Bradford relied heavily on hair papers (used during the process of permanently curling hair), pilfered from his mother’s beauty salon in L.A. Singing the edges, Bradford created unsteady grids and jumbled geometries shot through with color.
Hernan Bas’s recent works, particularly his series “The Conceptualists,” showcase his continued exploration into the realms of queerness, desire, the occult, and the absurd...
A Splinter (Study for Painting) is a large graphite work on paper by Hernan Bas that was intended as a study for a later painting...
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
Juego de Banderas (a play on words that loosely translates to both set of flags and game of flags) is a triptych of modified Colombian flags by Antonio Caro...
Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification...
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
Susan Sontag, the author of On Photography and Regarding the Pain of Others, was captured through Hujar’s now-iconic photograph in a relaxed yet pensive pose...
Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...
This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...
Monteverdi Ici – Deeply, Feeling Filling the World by Laure Prouvost is a tapestry that references a video by the artist entitled Monteverdi Ici (2018)...