Untitled

- Painting (Painting)

John McCracken

year born: 1934
gender: male
nationality: American
home town: Berkeley, California

Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot. The arrows and directional lines suggest movement, but the forms they point to intertwine, prohibiting a straightforward reading. The shapes are as illustrative as a Rorschach inkblot; in their confounding, simple indeterminacy, they depict nothing and everything at once.


Born in Berkeley and educated at California College of the Arts, John McCracken was a pioneer of American Minimalism and is often associated with the Light and Space movement. His plank pieces—high-gloss, lacquered, monochromatic monoliths that lean against the wall—defy the boundary between painting and sculpture, object and viewer. Their bases rest in the observer’s space, and their varnished surfaces reflect the surrounding environment. Though best known for his bright colors and polished aesthetic, McCracken’s body of work is diverse, ranging from minimalist sculpture to abstract painting. The work is consistently characterized by a search for simplicity, beauty, and the sublime.


Colors:



Untitled (Construction)
© » KADIST

Larry Bell

2007

Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...

VFGY9
© » KADIST

Larry Bell

1979

Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...

Untitled (San Francisco)
© » KADIST

Edward Kienholz

1984

Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...

Black Imitates White
© » KADIST

Hank Willis Thomas

2012

Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...

Lowrider Builder and Child
© » KADIST

Liz Cohen

2012

The photographic work Lowrider Builder and Child is a companion piece to the video Hydroforce , which features Cohen in the late stage of her pregnancy posing atop a German car that she transformed into a lowrider in a period of ten years...

The American War
© » KADIST

Harrell Fletcher

2005

The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history...

I Am A Man
© » KADIST

Hank Willis Thomas

2013

The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...

Captain X
© » KADIST

Luke Butler

2008

In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...

South Africa Righteous Space
© » KADIST

Hank Willis Thomas

2014

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

Prove how much you have grown
© » KADIST

Toyin Ojih Odutola

2013

Ojih Odutola uses a distinctive visual style to capture members of her family, rendering them one pen stroke at a time, until their skin resembles ribbons woven into the contours of a face, neck, or hand...

Shasta
© » KADIST

Diego Rivera

1940

In 1940 Rivera came to San Francisco for what would be his last mural project in the city, Pan-American Unity ...

I am the Greatest
© » KADIST

Hank Willis Thomas

2012

Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...

Studio Construct 51
© » KADIST

Barbara Kasten

2008

Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...

Untitled
© » KADIST

Toyin Ojih Odutola

2015

As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...

The Annotated “Gujarat and the Sea” Exhibition
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CAMP

2011

The Annotated “Gujarat and the Sea” Exhibition is a collateral project within the larger body of work around the Indian Ocean, entitled “Wharfage” (2009-13) which has included over the years a radio event, several books and a film...

Untitled (Blue Chapel)
© » KADIST

Robert Therrien

1985

In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...

Black Hands, White Cotton
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Hank Willis Thomas

2014

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Flutter
© » KADIST

Zarouhie Abdalian

2010

The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...

Untitled 3737 and Untitled 5157
© » KADIST

Todd Hido

2005

The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime...