Untitled

- Painting (Painting)

John McCracken

year born: 1934
gender: male
nationality: American
home town: Berkeley, California

Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot. The arrows and directional lines suggest movement, but the forms they point to intertwine, prohibiting a straightforward reading. The shapes are as illustrative as a Rorschach inkblot; in their confounding, simple indeterminacy, they depict nothing and everything at once.


Born in Berkeley and educated at California College of the Arts, John McCracken was a pioneer of American Minimalism and is often associated with the Light and Space movement. His plank pieces—high-gloss, lacquered, monochromatic monoliths that lean against the wall—defy the boundary between painting and sculpture, object and viewer. Their bases rest in the observer’s space, and their varnished surfaces reflect the surrounding environment. Though best known for his bright colors and polished aesthetic, McCracken’s body of work is diverse, ranging from minimalist sculpture to abstract painting. The work is consistently characterized by a search for simplicity, beauty, and the sublime.


Colors:



Untitled (Construction)
© » KADIST

Larry Bell

2007

Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...

VFGY9
© » KADIST

Larry Bell

1979

Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...

Untitled (Blue Chapel)
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Robert Therrien

1985

In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...

The Annotated “Gujarat and the Sea” Exhibition
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CAMP

2011

The Annotated “Gujarat and the Sea” Exhibition is a collateral project within the larger body of work around the Indian Ocean, entitled “Wharfage” (2009-13) which has included over the years a radio event, several books and a film...

Black Hands, White Cotton
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Hank Willis Thomas

2014

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Intentionally Left Blanc
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Hank Willis Thomas

2012

Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...

Black Imitates White
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Hank Willis Thomas

2012

Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...

Hydroforce
© » KADIST

Liz Cohen

2011

From among a cloud of fake smoke we see a heavily pregnant Cohen wearing a bikini and golden stilettos with lace-up straps wrapped around her legs, grasping onto the frame of a modified car as its loud hydraulic system clumsily moves it up and down...

Open Casket IX
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Indira Allegra

2018

Open Casket IX is an installation by Indira Allegra that combines traditional materials of memorial—tombstones, mausoleums, and caskets—with contemporary expressions of grief...

I Am A Man
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Hank Willis Thomas

2013

The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...

Untitled
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Toyin Ojih Odutola

2015

As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...

Prove how much you have grown
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Toyin Ojih Odutola

2013

Ojih Odutola uses a distinctive visual style to capture members of her family, rendering them one pen stroke at a time, until their skin resembles ribbons woven into the contours of a face, neck, or hand...

Bread and Roses
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Hank Willis Thomas

2012

Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...

I am the Greatest
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Hank Willis Thomas

2012

Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...

South Africa Righteous Space
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Hank Willis Thomas

2014

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

Flutter
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Zarouhie Abdalian

2010

The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...

Human Quarry
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Leslie Shows

Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...

Studio Construct 51
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Barbara Kasten

2008

Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...