Untitled (Four-legged figure with three arms)

2006 - Painting (Painting)

Clare Rojas

location: San Francisco, California
year born: 1976
gender: female
nationality: American
home town: Columbus, Ohio

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.


Trained in printmaking at the Rhode Island School of Design, Clare Rojas is a painter inspired in equal parts by cartoons, quilting, street, and folk art. Rojas’s works accompany other Bay Area “Mission School” artists featured in the collection such as Barry McGee and Alicia McCarthy. While her signature gouache paintings explore the intersection between fairy tales and feminist ideology, their stylized human and animal characters often tell stories imbued with dark humor.


Colors:



Untitled
© » KADIST

Barry McGee

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

Untitled (The way in is the way out)
© » KADIST

Alicia McCarthy

2010

A painting reminiscent of a certain “naive primitivism,” Untitled (the way in is the way out) is representative of McCarthy’s work...

Bus Logos
© » KADIST

Yto Barrada

2004

In this photographic series, Yto Barrada was interested in the logos of the buses that travel between North Africa and Europe...

Human Quarry
© » KADIST

Leslie Shows

Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...

No Title (Without the comics)
© » KADIST

Raymond Pettibon

2007

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...

Itch
© » KADIST

Yang Guangnan

2011

Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....

Iris Tingitana Oxalis
© » KADIST

Yto Barrada

2007

This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...

Mushroom Cloud
© » KADIST

Raymond Pettibon

2000

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...

Untitled
© » KADIST

Mark Bradford

2012

This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...

The Swimmer
© » KADIST

Jeffry Mitchell

2012

Though the title might suggest an Adonis, Jeffry Mitchell’s The Swimmer (2012) is a squat, jolly man with a protuberant belly...

Studio Construct 51
© » KADIST

Barbara Kasten

2008

Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...

South Africa Righteous Space
© » KADIST

Hank Willis Thomas

2014

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

Sign series, #1, #2, #3
© » KADIST

Bjorn Copeland

2009

Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...

Untitled (Men)
© » KADIST

Matt Lipps

2011

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

Untitled #242, 104, 975 combinations of a 2×2 grid, 18 colors
© » KADIST

John Houck

2013

Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines...

Untitled (Superman)
© » KADIST

Raymond Pettibon

2005

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...

Man and Pet
© » KADIST

Jeffry Mitchell

2012

In Man and Pet (2012), two benign ceramic figures smile sweetly upward...

Untitled (Colors) and Untitled (Ghost)
© » KADIST

Alicia McCarthy

2010

A painting reminiscent of a certain “naive primitivism,” Untitled (Colors) and Untitled (Ghost) are representative of McCarthy’s work...

Black Hands, White Cotton
© » KADIST

Hank Willis Thomas

2014

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...