4.5H x 3W inches
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico. She had a keen eye for architectural composition, and captured eloquent details using a delicate platinum print process. In 1929 she was deported from Mexico because of her involvement in the Communist party and went to Europe. Soon thereafter her work began to blend her eye for space and shape with a more critical social angle, often engaging in an overtly anti-Fascist discourses. Untitled (Cathedral) (ca. 1930), taken after her arrival in Europe, is an excellent example of her skillfully composed architectural pictures. It evokes ideas about how the composition of public spaces can influence both politics and cultural life.
Tina Modotti was an Italian film actress and photographer. As a photographer, she collaborated with Edward Weston and extensively documented the Mexican mural movement. In addition to her photography of Diego Rivera’s murals, she is also depicted in five of them. Modotti was involved in both the artistic and political avant-gardes of Mexico City, befriending members of and eventually joining the Mexican Communist party. Political repression forced her to move back to Europe, and she eventually lived in Moscow before moving to Spain when the Civil war began in 1936. In 1939, she returned to Mexico, where she died in 1942.
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
In Un Hombre que Camina (A Man Walking) (2011-2014), the sense of rhythm and timing is overpowered by the colossal sense of timelessness of this peculiar place...
For the past two decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling....
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
Christie’s Hong Kong autumn 2023 auctions fetch US$384 million, see strong demand for Asian masterpieces | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more “Bad Barber” (2000), by Yoshitomo Nara, sold for HK$51.2 million including fees on November 28 during Christie’s 20th- and 21st-century art evening sale in Hong Kong, part of the auction house’s 2023 autumn sales...
Dislocation Blues by Sky Hopinka is a portrait of the 2016 Standing Rock protests against the Dakota Access Pipeline in South Dakota...
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...
Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis...
Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop...
Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...