Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.
Trained in printmaking at the Rhode Island School of Design, Clare Rojas is a painter inspired in equal parts by cartoons, quilting, street, and folk art. Rojas’s works accompany other Bay Area “Mission School” artists featured in the collection such as Barry McGee and Alicia McCarthy. While her signature gouache paintings explore the intersection between fairy tales and feminist ideology, their stylized human and animal characters often tell stories imbued with dark humor.
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...
A painting reminiscent of a certain “naive primitivism,” Untitled (the way in is the way out) is representative of McCarthy’s work...
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style...
Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...
Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines...
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Houck’s Peg and John was made as part of a series of photographic works that capture objects from the artist’s childhood...