127 x 132.08 x 30.48 cm
In his series Hanging and Beheading Paintings Mike Cloud speaks to the suffering of a series of named (and occasionally unnamed) individuals, addressing their trauma within the language of abstraction. They offer the viewer an aesthetic account of individuality, death, and the empathic space of communion in absence via avant-garde portraiture, unbound by the rules of anatomy or even representation, but instead by purely expressive compositional and aesthetic goals. Untitled (Beheading) embraces the individual subjectivities of notable and mundane contemporaries — from pop stars to serial killers — in cryptic ways, connected only by the physical circumstances of their deaths. The key question Cloud asks is: What type of knowledge does a viewer need in order to connect with a particular individual’s worth, suffering and reality? His impetus for making these new works was the controversy surrounding Dana Schutz’s 2016 painting Open Casket . Untitled (Beheading) is an especially enigmatic piece; the viewer does not know the identity of the painting’s “subject” and there is a head-shaped hole near its center. Deconstructed, kinetic, and strange, these “portraits” speak to the unsettling and insecure nature of monumentalizing any sort of other.
Artist Mike Cloud builds irregularly shaped canvases and frames into unique sculptural objects. By combining his conceptual approach with a material richness and a sensual handling of wet-into-wet technique, Cloud reveals the range of significations connected to shape, surface, and symbol in an infinitely malleable and abstract mode.
As in other Mauss’ works that often look unfinished, the drawings in Untitled seem ever at the phase of the sketch, his segments as if they may uproot and reorient themselves at any moment...
Cakap-Cakap: Interview with Salty Xi Jie Ng | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Artist Profile July 31, 2021 In this month’s Cakap-Cakap (chit-chat), ArtsEquator speaks with artist Salty Xi Jie Ng, whose most recent project, Not Grey: Intimacy, Ageing & Being , excavated what intimacy means for older Singapore women (hint: it’s not all about sex!)...
The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory...
His large installation entitled The Museum of Proletarian Culture (2012) looked at the changes in artistic practice that have occurred in Russia throughout the last thirty years – from the amateur art of the late Soviet era to the commercialized post-Soviet cultural practices and the more recent self-expression via contemporary social networks...
In Mobile Military Medical Clinic 9/1970 , a stretcher carrying an injured solider is being carried through swamp-land towards a makeshift operation table....
Composed of two rectilinear pieces of glass, this work is part of a series of sculptures started in 2006...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Le tatouage, un terrain de jeu artistique Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Des œuvres d’Ouriel Zéboulon exposées lors du vernissage de l’exposition « Faire Fair 2 », à l’espace 3537, à Paris, en avril 2023...
Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud | CBC News Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud | CBC News Loaded Manitoba Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud The Royal Winnipeg Ballet is urging patrons to buy tickets directly from its website or box office after it lost $10,000 to online ticket scammers during its recent production of The Nutcracker...
Bhanwari and Lichhma from the Balika Mela series by Gauri Gill explores human expression through the medium of photography, bringing questions of agency, the role of photography, and feminism together through its portraits of adolescent girls from rural Rajasthan, India...