Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines. Houck transforms these simple outputs physically, folding, lighting, photographing, and re-printing them, only to fold, photograph, and re-print again. An MFA graduate from UCLA, John Houck works primarily in the medium of photography and specializes in still-life vignettes. To make his works, Houck arranges an object on a sheet of paper, photographs, and prints it, then places that print back into a new composition, repeating the process again and again until arriving at an aggregate image. The layers appear to be digitally altered, but he does not utilize any postproduction interventions. But Houck is not a purist by any means; he is significantly influenced by his professional experience as a computer programmer, and his artistic methodology mirrors a kind of algorithmic code. By referencing a conventional artistic genre through an iterative and contingent process, Houck offers up photography as a mode of thought.
An MFA graduate from UCLA, John Houck works primarily in the medium of photography and specializes in still-life vignettes. To make his works, Houck arranges an object on a sheet of paper, photographs, and prints it, then places that print back into a new composition, repeating the process again and again until arriving at an aggregate image. The layers appear to be digitally altered, but he does not utilize any postproduction interventions. But Houck is not a purist by any means; he is significantly influenced by his professional experience as a computer programmer, and his artistic methodology mirrors a kind of algorithmic code. By referencing a conventional artistic genre through an iterative and contingent process, Houck offers up photography as a mode of thought.
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La manzana de Adán (La Palmera, Santiago) by Paz Errázuriz is part of the celebrated series La manzana de Adán (Adam’s apple) that spans 5 years (1982-1987) of documenting the lives of transgender sex workers in La Jaula and La Palmera brothels in the Chilean cities of Talca and Santiago...
Hopf’s works reference the effects that developments in economics and technology have had on our bodily and mental composition...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Zombie Figuration Isn’t a Thing: A Critical Autopsy with Antwaun Sargent About AFC Board AFC Editions Donate Art F City Zombie Figuration Isn’t a Thing: A Critical Autopsy with Antwaun Sargent by Paddy Johnson and William Powhida on August 4, 2020 Explain Me + Podcast Tweet Jordan Casteel, “Within Reach”, New Museum installation view, 2020...
In conversation with Nataša Petrešin-Bachelez Together they will talk about Marwa Arsanios’ last video “ Falling is not collapsing, falling is extending “, 2016, presented recently at the Hammer Museum (Los Angeles), that looks into the garbage crisis in Beirut and the city’s recent real estate boom...
Kentucky man who defrauded local art organisations gets prison time Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Crime news Kentucky man who defrauded local art organisations gets prison time The FBI apprehended the man, who took $340,000 from the ArtWorks Community Arts Education Center and Russell County Arts Council, as he disembarked from a cruise ship in 2022 Theo Belci 11 December 2023 Share The ArtWorks Community Arts Education Center in Jamestown, Kentucky, one of two arts organisations in the state defrauded by Charles Davis Photo via ArtWorks Community Arts Education Center/X Kentucky resident Charles Davis has been found guilty of defrauding two local arts organisations, the ArtWorks Community Arts Education Center in Jamestown and Russell County Arts Council (RCAC) in Russell Springs...
Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
Gloomy outlook for Vietnamese cinema, literature scene: workshop (via Tuoi Tre News) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Tuoi Tre December 27, 2018 Attendees at a national workshop held in Hanoi on Wednesday to discuss the multitude of issues plaguing the Vietnamese film and literature industries were not shy about voicing disdain for the current state of literary and cinematic art in Vietnam...
Chris Cyrille — Récitatif — L’ahah Griset — Performance — Slash Paris Login Newsletter Twitter Facebook Chris Cyrille — Récitatif — L’ahah Griset — Performance — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Chris Cyrille — Récitatif Performance Performance, poetry Upcoming Portrait de Chris Cyrille Chris Cyrille Récitatif In about 1 month: Friday, March 22, 2024 at 7 PM Chris Cyrille Lecture performée de “Récitatif” Le 22.03.24 à 19h L’ahah #Griset 4 cité Griset, 75011 Paris Les tableaux de Bernard Gaube sont hantés par la question de l’oralité...
Park Chan-Kyong’s otherworldly film Belated Bosal primarily follows two women as they navigate their way up a spectral mountain and through what appears to be a history museum or nuclear disaster bunker...
“Closer” at Both Sides, Now: What Do We Choose to Remember? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Zinkie Aw for Both Sides, Now October 29, 2018 By Loo Zihan (1430 words, six-minute read) “What will we forget? What do we hold on to? What will we remember? What do we let go of?” These were the questions posed by a volunteer in Mandarin to my 67-year-old mother at a void deck in Chong Pang...