18 x 24 cm
Untitled (1992) responds to the same principles of an economy of means as the artist’s actions and installations: three empty cardboard boxes which have contained photographic film are piled one on top of the other. Nevertheless there is a harmony in the assembly of forms, writing, colors, proportions; an aesthetic construction is carried by this contemporary still life. This work charts the passing of time: the cardboard yellows, the film becomes obsolete in the digital age. In a meta-artistic dimension, this sculpture could be a manifesto for Kovanda’s work. His actions and installations have a particular link to the photographic medium: they can only exist for the contemporary spectator and as an artwork, through the records and documentation. The sculpture seems to contain potential artworks in gestation in the bottom of the box, like a mysterious photographic chamber, invisible to the eye.
Jiri Kovanda was born in 1953 in Prague, Czech Republic. He lives and works in Prague.
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Yannig Hedel — At First Glance — De Prime Abord — Bigaignon Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Yannig Hedel — At First Glance — De Prime Abord — Bigaignon Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Yannig Hedel — At First Glance — De Prime Abord Exhibition Photography Yannig Hedel Courtesy de l’artiste et galerie Bigaignon, Paris Yannig Hedel At First Glance — De Prime Abord Ends in 27 days: January 25 → March 9, 2024 After “Quarter Past Twelve” in 2018, and “Passé Composé” in 2021, we are particularly pleased to present the exhibition “At First Glance”, the third solo show by Yannig Hedel at the gallery...
Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph...
Kovanda’s ‘discreet’ actions (leaving a discussion in a rush, bumping into passers-by in the street, making a pile of rubbish and scattering it, looking at the sun until tears come…) are always documented according to the same format: a piece of A4 paper, a concise typewritten text, and sometimes a photograph taken by someone else...
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