18 x 24 cm
Untitled (1992) responds to the same principles of an economy of means as the artist’s actions and installations: three empty cardboard boxes which have contained photographic film are piled one on top of the other. Nevertheless there is a harmony in the assembly of forms, writing, colors, proportions; an aesthetic construction is carried by this contemporary still life. This work charts the passing of time: the cardboard yellows, the film becomes obsolete in the digital age. In a meta-artistic dimension, this sculpture could be a manifesto for Kovanda’s work. His actions and installations have a particular link to the photographic medium: they can only exist for the contemporary spectator and as an artwork, through the records and documentation. The sculpture seems to contain potential artworks in gestation in the bottom of the box, like a mysterious photographic chamber, invisible to the eye.
Jiri Kovanda was born in 1953 in Prague, Czech Republic. He lives and works in Prague.
Yannig Hedel — At First Glance — De Prime Abord — Galerie Bigaignon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Yannig Hedel — At First Glance — De Prime Abord — Galerie Bigaignon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Yannig Hedel — At First Glance — De Prime Abord Exposition Photographie Yannig Hedel Courtesy de l’artiste et galerie Bigaignon, Paris Yannig Hedel At First Glance — De Prime Abord Encore 27 jours : 25 janvier → 9 mars 2024 Après les expositions Midi et quart en 2018 et Passé composé en 2021, nous sommes particulièrement heureux de présenter De Prime Abord, la troisième exposition monographique de Yannig Hedel à la galerie...
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