Untitled #1 #2 #3
2007 - Sculpture (Sculpture)
Piero Golia
Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall. More than a simple reference to the sport, the work has the disconcerting effect of creating a danger zone in the gallery space. The reference to direct aggression or violence is reinforced by the piece’s rapid pace. But on another level, Untitled 3 ’s steady rhythm seems to constitute an alternate way of measuring time, an idea explored in other works in the Kadist Collection, like Mungo Thomson’s Untitled (TIME) , Geoffrey Farmer’s Ongoing Time Stabbed with a Dagger , and William E. Jones’s Killed , in which the rapid succession of images also points towards the passing of time in the historical sense.
Italian-born and Los Angeles-based Piero Giolia’s work assumes the form of actions, sculptures, and installations often characterized as being extreme yet poetic. With a particular love for mischief, Golia takes everyday gestures and pushes them to the limit in order to cast an ironic look at contemporary society. Following the steps of legendary artists such as Bas Jan Ader, some of Golia’s works have taken the form of adventurous trips, like Going to Tirana (2000), in which he rowed across the Adriatic Sea, moving in the direction opposite from migrants trying to leave Albania.
Colors:
Other related works, blended automatically
© » KADIST
Gabriel Orozco
1992Gabriel Orozco often documents found situations in the natural or urban landscape...
© » KADIST
Lynn Hershman Leeson
2016Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
© » KADIST
Hank Willis Thomas
2012Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...
© » KADIST
Yoshua Okón
2009Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
© » KADIST
Carlos Amorales
2006This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
© » KADIST
Hank Willis Thomas
2012Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
© » KADIST
Diego Rivera
1940In 1940 Rivera came to San Francisco for what would be his last mural project in the city, Pan-American Unity ...
© » KADIST
Carlos Amorales
2014Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance...
© » KADIST
Carlos Amorales
2007This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
© » KADIST
Zanele Muholi
2014As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
© » KADIST
Agnieszka Kurant
2018Agnieszka Kurant’s Placebo VIII brings together a series of imaginary pharmaceuticals invented within the fictional narratives of literature and film...
© » KADIST
Pascal Shirley
2006Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...
© » KADIST
Luisa Lambri
2007Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
© » KADIST
Hank Willis Thomas
2012Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
© » KADIST
Walead Beshty
2012Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
© » KADIST
Walead Beshty
2010Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
© » KADIST
Zanele Muholi
2014As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...