Untitled #1 #2 #3

Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...

Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...

Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...

Gabriel Orozco often documents found situations in the natural or urban landscape...

603 Football Field presents a soccer game played inside a small student apartment in Shanghai...

Canton Novelty by Fang Lu captures the adventure of a group of three girls, Ruohan, Lily and Zoe on a summer vacation in Guangzhou, China...

Gabriel Orozco often documents found situations in the natural or urban landscape...

No World is an action-filled video work filmed inside an abandoned museum in the Songzhuang area outside Beijing...

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

9’oclock (my time is not your time) pertains to a series consisting of three numbers: 5, 10 and 11 works were made for the exhibition “Signs and messages from modern life” at the Kate McGarry Gallery in 2007...

In 2007 Lubaina Himid began a series of works she later called Negative Positives: The Guardian Archive (2007-2017)...

“A Disappearing Number” at NUS Arts Festival 2019: Approaching Infinity | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image: NUS Arts Festival March 18, 2019 By Eugene Koh (945 words, five minute read) Part of the NUS Arts Festival 2019, NUS Stage’s A Disappearing Number , directed by Edith Podesta, presents a world of imperfect humans aspiring to fully grasp the wonder of this world...

‘My art makes a statement’: what to expect at this year’s Art Basel Miami | Art Basel Miami | The Guardian Skip to main content Skip to navigation Skip to navigation Art Basel Miami...

Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...

For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...

Arms & Legs (Specif...

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...

In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...

In Untitled (Sword) , addressing histories of colonialism with abstraction, a large steel blade extends from the gallery wall...

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...