Two videos, three photographs, several related masterpieces, and American Art

2013 - Photography (Photography)

108 x 132 cm

Yan Xing

location: Beijing, China
year born: 1986
gender: male
nationality: Chinese
home town: Chongqing, China

The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made. Paradoxical but in the end, often true of the way in which art history is written. The presence of black men and the term “American Art” brings us back to Robert Mapplethorpe’s Black Book . Certain critics had judged this book as racist, with the idea that the black man is reduced to an object. For his defenders, it was above all, research into beauty, as in ancient Greece where art has created an ideal beauty in a platonic vision. Yan Xing is interested in transformations and interpretations. This series is conceived as a parody of American art thought of pure abstraction. An America that can refuse to think of itself as a land of emigration, crossed by the themes of racism and gender that are at the origin of the construction of its own identity. The American culture and the culture of appropriation, a certain form of cannibalism that nourishes other cultures, is at the center of this series.


Yan Xing, currently based between Los Angeles and Beijing, is known for his interdisciplinary projects that include sculpture, performance, video, photography and installation. The artist’s projects are often complex and conceptual with the body remaining central to all explorations. Through critical examinations, the artist imagines how history constructs our present. He interrogates literature, history and history of art. His work explores themes of negativity, resistance and order and the complexity of their connectivity.


Colors:



Other related works, blended automatically

Sexy
© » KADIST

Yan Xing

2011

Sexy shows Yan Xing unsuccessfully trying to reach orgasm in freezing temperatures among the falling rocks and howling winds of a precarious canyon...

Tremble
© » KADIST

Jiang Zhi

2009

In the video installation Tremble, Jiang projected the life-size images of seven naked men and women onto seven individual screens...

603 Football Field
© » KADIST

Qing Zhang

2006

603 Football Field presents a soccer game played inside a small student apartment in Shanghai...

Regard Eating Every Single Time as a Formal Declaration, My Stomach is Sexy out of Anger
© » KADIST

Xiaoyun Chen

2006

The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...

ONE MILLION (Japanese Yen)
© » KADIST

Kwan Sheung Chi

2012

Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills...

New York Public Library Projects (NYPLP)
© » KADIST

Pak Sheung Chuen

2008

Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...

5
© » KADIST

Jiang Zhi

2012

5 is a three channel video about the dualities of death and resurrection, reminiscence and fantasy, chronological and retrospective narration...

Nightmare-Wallpaper (No.DCCC901-16#8): An-Angel-in-Conversation-with-a-Young-Lady
© » KADIST

Pak Sheung Chuen

2017

The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...

State Terrorism in Ultimate Form of PreRaphaelite Brotherhood
© » KADIST

Xiaoyun Chen

2006

State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...

Beyond Geography
© » KADIST

Li Ran

2012

In his video work Beyond Geography , Li dramatizes the role of the artist-as-imitator to the point of sheer parody...

Dilemma, three way of fork in the road
© » KADIST

Jianwei Wang

2007

In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...

Ink Diary
© » KADIST

Chen Shaoxiong

2006

After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...

Unregistered City series #1 #2 #7
© » KADIST

Jiang Pengyi

2008

Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...

Tokyo Bay
© » KADIST

Liu Yin

2010

Liu Yin’s cartoon-like paintings and drawings explore the ambivalences of love, nature, and consumerism...

Drag
© » KADIST

Xiaoyun Chen

2006

In the video work Drag, a man in a dark room pulls on the end of a rope...

Vanishing Point
© » KADIST

Xiaoyun Chen

2014

The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...

Mao, who curves himself along the edge of the paper
© » KADIST

Liu Yin

2010

Liu Yin’s cartoon-like paintings and drawings explore the ambivalences of love, nature, and consumerism...

Exquisite Eco Living (executive Properties series)
© » KADIST

Vincent Leong

2012

The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...

Lift with care
© » KADIST

Hu Yun

2013

This research-based artwork acts as a memorial to early twentieth century European exploration of China...