True Red

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...

Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...

In True Red Ruin (Elmina Castle) , Danielle Dean uses archival documents to re-imagine colonial history from the 1400s, while also referencing her own personal history...

War Footage is a series of wall-mounted works composed of 16mm film leader, tightly bound to flag-shaped panels by the artist...

An Expansive New Exhibition of Robert Mapplethorpe’s Lesser-Known Works | AnOther As a new show dedicated to Robert Mapplethorpe opens in London, gallerist Alison Jacques talks about showcasing the photographer’s less famous portraits and still lifes November 30, 2023 Text Miss Rosen Over the course of his brief but wondrous life, Robert Mapplethorpe was a seminal force in elevating photography to the realms of fine art...

8:30pm – late Save the date to celebrate the end of the season with us! The party starts at 8:30 pm and features music, snacks, entertainment, and drinks designed by local artists...

Singapore Art Week 2022: Returning to form, not FOMO | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Third Street Studio January 21, 2022 By Jennifer Anne Champion (1,400 words, 6-minute read) The Singapore Art Week (SAW) officially runs from 14th to 23rd January 2022...

In True Red Ruin (Elmina Castle) , Danielle Dean uses archival documents to re-imagine colonial history from the 1400s, while also referencing her own personal history...

Hexafluorosilicic acid is a type of sodium fluoride waste product that can be found in a large amount of widely available products such as cleaning fluids, toothpaste, rat poison, and drinking water...

No Lye by Danielle Dean documents a group of five women, including Dean herself, confined to a small, cramped bathroom, communicating only by using slogans culled from beauty advertisements (“beauty is skin deep”, “naturalise, it’s in our nature to be strong and balanced”) and quotes from political speeches (“we must protect our borders”, “we are fighting for our way of life and our ability to fight for freedom”)...

Cosmic Mumbo Jumbo An Online Video Exhibition curated by Erin Christovale...

Michelle Handelman’s video work Irma Vep, The Last Breath takes its inspiration from Musidora, a famous French silent film actress, and a character she played called Irma Vep, from the film Les Vampires (1915), directed by Louis Feuillade...

At first glance, This Day by Imran Qureshi appears to be an energetic, gestural painting reminiscent of Action Painting from the mid-20th century...

Designed by the artist and fabricated in collaboration with Kashmiri artisans in India, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly coloured symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...