Tremble

2009 - Film & Video (Film & Video)

6:00 minutes

Jiang Zhi

location: Beijing
location: Shenzhen, China
year born: 1971
gender: male
nationality: Chinese
home town: Yuanjiang, China

In the video installation Tremble, Jiang projected the life-size images of seven naked men and women onto seven individual screens. Each person displays a different facial expression and body position such as reading a book, arms open for a hug, holding a knife, raising a fist to take an oath. Each gesture reflects some essential social aspect of everyday life: hugging is about caring, taking oath has to do with politics, reading relates to acquiring knowledge, and raising a knife indicates violence. As a result of a hidden vibration machine, the images’ projection screens oscillate vigorously and the contradiction between the shaking screens and the static human figures creates an absurd effect. Through this imposed trembling, Jiang suggests the invisible power that controls modern human behavior. These seemly “out-of-control” actions are often ironically conceived as the most adaptable and mutually-agreed upon tenets of social activity.


Jiang Zhi represents a generation of artists whose practice developed against the backdrop of experimental art in China in the 1990s, during which a series of social and cultural transformation occurred in the country. His work actively deals with issues such as body, gender, identity, consumerism, conflict, fear, power, and temporality, and often involves recent social events. Jiang attended the China Academy of Art and has long been engaged with writing and video art. From 1995 to 2005, Jiang was also an active journalist, which had him on the frontlines of his country’s the social transformation, and all of his experiences have deeply influenced the language and context of his practice. Constantly positioning himself at the intersection between brutal reality and poetic imagination, Jiang’s works presents a complex trajectory of the artist’s everyday life and society at large.


Colors:



Related works featuring themes of: » China, » Color Photography, » Contemporary Conceptualism, » Contemporary Fact Versus Fiction, » Chinese

Sexy
© » KADIST

Yan Xing

2011

Sexy shows Yan Xing unsuccessfully trying to reach orgasm in freezing temperatures among the falling rocks and howling winds of a precarious canyon...

Two videos, three photographs, several related masterpieces, and American Art
© » KADIST

Yan Xing

2013

The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made...

Golden Bridge
© » KADIST

Lin Yilin

Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...

I Want to be Gentleman
© » KADIST

Lu Chunsheng

2000

Lu has developed an oeuvre that consists of characters in bizarre situations...

Sentimentite (Invasion of Ukraine 38/100, from Chapter 4: Reshaping World Order)
© » KADIST

Agnieszka Kurant

2022

For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...

Mythological Time
© » KADIST

Sun Xun

2016

Sun Xun’s lushly illustrated, dynamic short film Mythological Time is a dreamy chronicle of rapacious industrial development, the mythical qualities of state propaganda, and the constancy of change, as experienced by an unnamed coal mining town...

A Flags-Raising-Lowering Ceremony at my home’s clothes drying rack
© » KADIST

Kwan Sheung Chi

2007

A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...

The Tower of Babel: The Carnaval
© » KADIST

Du Zhenjun

2010

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...

Regard Eating Every Single Time as a Formal Declaration, My Stomach is Sexy out of Anger
© » KADIST

Xiaoyun Chen

2006

The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...

A Gust of Wind
© » KADIST

Zhang Peili

2008

In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...

A Slap in Wuhan
© » KADIST

Li Liao

2010

A Slap in Wuhan documents Li Liao’s performance in Wuhan, China on January 8, 2011...

Gary Gilpatrick, Insulator
© » KADIST

Sharon Lockhart

2008

Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...

Collective Memories: Beijing Hotel
© » KADIST

Chen Shaoxiong

2007

After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...

Phenomena
© » KADIST

Yang Xinguang

2009

Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...

Lift with care
© » KADIST

Hu Yun

2013

This research-based artwork acts as a memorial to early twentieth century European exploration of China...

603 Football Field
© » KADIST

Qing Zhang

2006

603 Football Field presents a soccer game played inside a small student apartment in Shanghai...

Nightmare-Wallpaper (No.DCCC901-16#8): An-Angel-in-Conversation-with-a-Young-Lady
© » KADIST

Pak Sheung Chuen

2017

The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...

Sentimentite (COVID-19 Global Lockdowns 53/100, from Chapter 6: The Pandemic)
© » KADIST

Agnieszka Kurant

2022

For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...