The Tower of Babel: Destruction
2010 - Photography (Photography)
Du Zhenjun
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale. These photographs present a series of urban landscapes and assembled Foucauldian structures of the present. Du sees the Tower of Babel as a continually reinvented narrative that warns people of “dangerous tendencies in the present time.” Du’s Babylonian towers resurrect from fallen rubbles of religious history in grand scale to focus on modern crises of civilization. Though the theme began with the struggle of monotheism over linguistic and geographic diversity in early human history, Babel in Du’s work has become a contemporary vision of catastrophic threat to the future of humanity.
Born in 1961, Du was trained as a painter and sculptor at the Institutes of Arts and Trades in Shanghai and the Fine Arts College at the University of Shanghai and garnered M.A. from the Regional School of Fine Arts of Rennes, France in 1999. Despite his classical training, Du became one of the first generation of artists to incorporate digital technologies into art pieces, producing interactive installations and describing digital media to be “a way of working on the dimension of power inherent to a society of information and new technologies.” Du’s works explore themes of “Modern Man” and human tragedy. Specifically, he highlights the ecstasy of human behavior in light of suffering and challenges in conveying what he calls the “universal human condition.”
Colors:
Other related works, blended automatically
© » KADIST
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
© » KADIST
Qing Zhang
2006603 Football Field presents a soccer game played inside a small student apartment in Shanghai...
© » KADIST
Hank Willis Thomas
2014Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
© » KADIST
Jennifer Bornstein
1994Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos...
© » KADIST
Hank Willis Thomas
2012Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...
© » KADIST
Francis Alÿs
2006This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...
© » KADIST
Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
© » KADIST
Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
© » KADIST
Hank Willis Thomas
2013The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
© » KADIST
Cinthia Marcelle
2012Cinthia Marcelle’s video work Automóvel (2012) re-edits the mundane rhythms of automotive traffic into a highly compelling and seemingly choreographed meditation on sequence, motion, and time...
© » KADIST
Chen Shaoxiong
2007After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
© » KADIST
Lin Yilin
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
