The Thinkers
2014 - Sculpture (Sculpture)
Adriana Lara
Lara uses things readily at hand to create objects and situations that interrogate the processes of art and the spectrum of roles that art and artists play in society. To these ends, she has used furniture, projections, photographs, clothing, and even people as her materials. A reflection on how the production of meaning itself takes place in the manufacturing of things is embodied in wooden hand chairs, a crafty Indonesian version of the iconic Pedro Friedeberg 1960s Pop design. Facing one another and pulling a tight thread between their fingers as if playing a game, The Thinkers (2014) is a magnified version of the practice of weaving, with the hand as the primary technological tool. Part readymade, part joke, and part examination of the role of the artist, the significance of this simple gesture hinges on the feeling of discontinuity, the shift in consciousness, that it provokes.
Adriana Lara is fascinated by how a single thing (an object, a photograph, a song, a text) can be transformed into a work of art. This process does not relate to formal alteration or the application of expert skill, but rather to a simple act of articulation. Rather than relying on the physical creation of something new, this becomes that (namely, art) because the artist declares it to be so. This special kind of alchemy imbues all of Lara’s objects with a restless ambiguity. Much like her art, Lara is something of a shape-shifter herself, moving between the roles of artist, curator, musician, or writer whenever it suits her needs.
Colors:
Related artist(s) to: Adriana Lara » Gabriel Kuri, » Marcelo Cidade, » Mariana Castillo Deball, » Mateo López, » Nicolás Paris, » Simon Fujiwara, » Wilfredo Prieto, » Adrián Villar Rojas, » Amalia Pica, » Carolina Caycedo
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Amalia Pica
2013Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...
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Mariana Castillo Deball
2015Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...
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Nicolás Paris
2012Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
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Marcelo Cidade
2010Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...
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Adrian Villar Rojas
2010The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...
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Carolina Caycedo
2014YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...
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Mateo Lopez
2012With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
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Carolina Caycedo
2015Carolina Caycedo’s practice conveys her very personal passion and relationship to water, as a powerful necessity and spiritual reminder...
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Marcelo Cidade
2006This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...
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Simon Fujiwara
2016Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...
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Adrian Villar Rojas
2012Based on historical prophecies and fantasy, the artist creates apocalyptic scenarios that posit an enigmatic world plagued by social, political, and environmental upheaval...
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Mariana Castillo Deball
Mariana Castillo Deball’s set of kill hole plates are part of a larger body of work problematizing archeological narratives, and drawing attention to the conservation process and its role in recreating an imagined object...
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Marcelo Cidade
2006This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...
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Mariana Castillo Deball
2009Do ut des (2009) is part of an ongoing series of books that Castillo Deball has altered with perforations, starting from the front page and working inward, forming symmetrical patterns when each spread is opened...
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Marcelo Cidade
2014450 Hayes Street (excavation site) by Marcelo Cidade is a large scale photograph documenting the artist’s excavation of a parking lot located at 450 Hayes Street in San Francisco, a former section of the city’s Central freeway and current condominium site...
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Marcelo Cidade
2010Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble...
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Gabriel Kuri
2010Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...