Particularly shaped by his own youth in the 1990s, his recent works have incorporated things like a marijuana leaf, a dragon-emblazoned chain wallet, metal grommets, and the ubiquitous (in the 90s) Stussy symbol. Reflecting and recouping elements from American youth culture, Reini’s works question how we package, mark, and express ourselves through manufactured symbols of identity. Reini has also used images of Mickey Mouse—Disney’s anthropomorphic icon—in numerous works, including in this pair of works, The More You Want…, …The Less You Get . Both works are made using latex and canvas in cut-out patterns that form the shape of the famous mouse, and his female counterpart, Minnie. Reini’s use of these iconic characters is pointed and swift: even the simple suggestion of a form, implied through the cuts in the canvas, is enough to flood viewers with associations and memories. These shared pop images, which Reini evokes through negation, through absence, become the shorthand for a modern culture bereft of real connections.
In the work of American artist Zach Reini, elements of recent pop culture mix with art historical references to create works tinged with playfulness and darkness. Indebted to pop art as well as modernist painting, much of Reini’s work revolves around markers that adorn the human body, defining and branding their wearer.
Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island...
For the project Aguas calientes Gabriel Chaile exchanged silverware from three popular soup kitchens (mutual aid organizations to provide food for people in need) in Buenos Aires to brand new cooking utensils to shape his project...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
In his paper-based work, Medellin-New York , Rojas uses coca leaves and dollar bills to spell out the words of the two cities, tied together through the illicit exchange of materials used to make the word, gesturing towards the uncomfortable reality of the drug trafficking trade and the complicity of both America and Colombia within that economic system....
Ralph Rugoff, Director of the Hayward Gallery in London, will discuss his recent exhibition Alternative Guide to the Universe , surveying “the work of self-taught artists and architects, fringe physicists and visionary inventors.” The evening will feature a selection of works by William Scott (Oakland) that were included in the exhibition, on loan from Creative Growth Art Center ...
The artist writes about her work: “There is an endless desire to know what we look like from outer space and many of us have evolved into a species that exists across the disorienting spaces and timeframes of virtuality...