Particularly shaped by his own youth in the 1990s, his recent works have incorporated things like a marijuana leaf, a dragon-emblazoned chain wallet, metal grommets, and the ubiquitous (in the 90s) Stussy symbol. Reflecting and recouping elements from American youth culture, Reini’s works question how we package, mark, and express ourselves through manufactured symbols of identity. Reini has also used images of Mickey Mouse—Disney’s anthropomorphic icon—in numerous works, including in this pair of works, The More You Want…, …The Less You Get . Both works are made using latex and canvas in cut-out patterns that form the shape of the famous mouse, and his female counterpart, Minnie. Reini’s use of these iconic characters is pointed and swift: even the simple suggestion of a form, implied through the cuts in the canvas, is enough to flood viewers with associations and memories. These shared pop images, which Reini evokes through negation, through absence, become the shorthand for a modern culture bereft of real connections.
In the work of American artist Zach Reini, elements of recent pop culture mix with art historical references to create works tinged with playfulness and darkness. Indebted to pop art as well as modernist painting, much of Reini’s work revolves around markers that adorn the human body, defining and branding their wearer.
Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island...
Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
In his paper-based work, Medellin-New York , Rojas uses coca leaves and dollar bills to spell out the words of the two cities, tied together through the illicit exchange of materials used to make the word, gesturing towards the uncomfortable reality of the drug trafficking trade and the complicity of both America and Colombia within that economic system....
Gutmann’s photographs Untitled Nob Hill and From the North Tower of the Golden Gate Bridge are some of the oldest pieces in the Kadist Collection and serve as historical anchors for many of the more recent works...
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...