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Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

Reeder’s works often start with language—and his Pasta Paintings are no different...

The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...

Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...

Dominique Gonzalez-Foerster “Nos années 70 (chambre)” at Galerie Chantal Crousel, Paris — Mousse Magazine and Publishing...

In Rogers’ Columbine works, the artist explores the 1999 high school shooting that took place in Littleton, Colorado, claiming 34 victims...

UK Public Art Database Will Record More Than 5,000 Murals Skip to main content By Karen K...

Second Clockenflap festival this December is ‘a leap of faith’, says co-founder, who promises ‘outrageous levels of fun for all who come’ | South China Morning Post Advertisement Advertisement Performing arts in Hong Kong + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more How will December’s Clockenflap festival differ from the March edition? Justin Sweeting, Clockenflap co-founder and head of music, talks to the Post...

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

The contents of the designer’s apartment in Paris, including home wares and clothes, will be auctioned by Artcurial in May....

The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera...

The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...

In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message...