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Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...

The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...

Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...

Reeder’s works often start with language—and his Pasta Paintings are no different...

Dominique Gonzalez-Foerster “Nos années 70 (chambre)” at Galerie Chantal Crousel, Paris — Mousse Magazine and Publishing...

In Rogers’ Columbine works, the artist explores the 1999 high school shooting that took place in Littleton, Colorado, claiming 34 victims...

Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Galerie Chantal Crousel — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Galerie Chantal Crousel — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Dominique Gonzalez-Foerster — Nos années 70 (chambre) Exposition Techniques mixtes Dominique Gonzalez-Foerster, Nos années 70 (chambre), 1992...

Podcast 55: "Not In My Lifetime?" by The Finger Players | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Tuckys Photography March 27, 2019 Claire Teo and Stephanie Esther Fam respond to Not In My Lifetime? by The Finger Players which was staged at Gateway Theatre from 5 – 17 March 2019...

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...

In Action no...

The contents of the designer’s apartment in Paris, including home wares and clothes, will be auctioned by Artcurial in May....

The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera...

The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera...

In a style that is unique of Tokoudagba, he evokes the kings, gods and their symbols related to the earth, water, air and fire, usually on a white background...