His series, The Golden State, harkens back to his early career and his photographic training. Using a still camera to compose the fifty images of the series, Jones turns his lens on the vernacular architecture of California’s southern region, looking at the iconic and idiosyncratic spaces that define a region. William E. Jones is a filmmaker, writer, and artist whose interests lie in the circulation of images—images that are broadcast, images that are hidden, and images that become imbedded in our collective consciousness. Jones works with still and moving images as a way to enter social histories, communicate personal narratives, and document cultural phenomena. Jones studied documentary photography under Walker Evans—one of the Farm Security Administration (FSA) photographers who documented American life during the Great Depression—and his works reveal a persistent interest in the power of the photographic image. Jones works fluidly between photography and filmmaking, gathering images and footage from elsewhere to build his intricate narratives.
Los Angeles-based artist and filmmaker William E. Jones appropriates vintage film material that he rearranges into new compositions. Often concerned with the way gay imagery was depicted in 1970s and 1980s, Jones’s early films explore the complex configuration of homosexual identity with a rather nostalgic and romanticized gaze. Though fashioned in the same way, his later pieces look more directly at pornography and the appearance of fetish in popular culture.
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject...
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
In the early 20th century, the Hercules Engine Company was doing a brisk business producing customized, heavy-duty engines...
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
Jeep Comics is based on the second of only two issues published by RB Leffingwell and Company in 1944–45...
President Macron confirms Notre Dame opening date plus plans for a new museum Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Heritage news President Macron confirms Notre Dame opening date plus plans for a new museum While worshippers will be permitted to enter the cathedral by December 2024, a revamp of the surrounding area will continue Gareth Harris 11 December 2023 Share Paris's Notre Dame Cathedral after the devastating fire in 2019 Photo: Víctor Perea Ros via Wikimedia Commons The date for a partial reopening of Notre Dame has been confirmed as 8 December 2024, five and a half years after the fire that destroyed the historic monument located on Paris’s Île de la Cité in the Seine river...
In the early 20th century, the Hercules Engine Company was doing a brisk business producing customized, heavy-duty engines...
In Restaurant, Canton, Ohio (2011), a convenience store offers food, liquor, and Coca Cola to an empty street...
Foreigners Everywhere is a series of neon signs in several different languages...
dbqp is a photographic series in which the artist handles an enlargement of the plate with three cutout windows which was used for L’Archipel (The Archipelago) in collaboration with Pierre Leguillon...
Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
49/23 — Considering Technology, AI and Photography - Photographs by Gregory Eddi Jones | Interview by Liz Sales | LensCulture Feature 49/23 — Considering Technology, AI and Photography In his new thought-provoking series “49/23,” Gregory Eddi Jones considers the implications of rapidly advancing technology by intertwining vintage photography and AI-generated images...
Mary Jones: Layered histories – Two Coats of Paint Mary Jones, American Interior 2023, oil on digitally printed canvas, 52 x 38 inches Contributed by Katy Crowe / “Significant Properties,” the title of Mary Jones’s current exhibition at as-is.la and her first in Los Angeles in some years, aptly suggests real estate worth seeing...