His series, The Golden State, harkens back to his early career and his photographic training. Using a still camera to compose the fifty images of the series, Jones turns his lens on the vernacular architecture of California’s southern region, looking at the iconic and idiosyncratic spaces that define a region. William E. Jones is a filmmaker, writer, and artist whose interests lie in the circulation of images—images that are broadcast, images that are hidden, and images that become imbedded in our collective consciousness. Jones works with still and moving images as a way to enter social histories, communicate personal narratives, and document cultural phenomena. Jones studied documentary photography under Walker Evans—one of the Farm Security Administration (FSA) photographers who documented American life during the Great Depression—and his works reveal a persistent interest in the power of the photographic image. Jones works fluidly between photography and filmmaking, gathering images and footage from elsewhere to build his intricate narratives.
Los Angeles-based artist and filmmaker William E. Jones appropriates vintage film material that he rearranges into new compositions. Often concerned with the way gay imagery was depicted in 1970s and 1980s, Jones’s early films explore the complex configuration of homosexual identity with a rather nostalgic and romanticized gaze. Though fashioned in the same way, his later pieces look more directly at pornography and the appearance of fetish in popular culture.
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop...
In the early 20th century, the Hercules Engine Company was doing a brisk business producing customized, heavy-duty engines...
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
Jason Meadows’s Do Not Pass Go (2011) depicts Richie Rich, “the poor little rich boy” of the 1950s comic strip...
Could visiting a museum be the secret to a healthy life? Menu Close Does the simple fact of being in contact with art have any specific effects? (Shutterstock) Emma Dupuy , Université de Montréal Author Emma Dupuy Postdoctoral researcher, cognitive neuroscience, Université de Montréal Disclosure statement Emma Dupuy works in partnership with the Montreal Museum of Fine Arts and has received funding from MITACS, the Université de Montréal and the Fonds de Recherche du Québec...
If one had been guessing at Takeshi Murata’s criticism of American consumerist culture up until watching Infinite Doors , it would be solidified after hearing the announcer from The Price is Right squawk prizes one after the next...
In the early 20th century, the Hercules Engine Company was doing a brisk business producing customized, heavy-duty engines...
In Restaurant, Canton, Ohio (2011), a convenience store offers food, liquor, and Coca Cola to an empty street...
Foreigners Everywhere is a series of neon signs in several different languages...
dbqp is a photographic series in which the artist handles an enlargement of the plate with three cutout windows which was used for L’Archipel (The Archipelago) in collaboration with Pierre Leguillon...
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
49/23 — Considering Technology, AI and Photography - Photographs by Gregory Eddi Jones | Interview by Liz Sales | LensCulture Feature 49/23 — Considering Technology, AI and Photography In his new thought-provoking series “49/23,” Gregory Eddi Jones considers the implications of rapidly advancing technology by intertwining vintage photography and AI-generated images...
Mary Jones: Layered histories – Two Coats of Paint Mary Jones, American Interior 2023, oil on digitally printed canvas, 52 x 38 inches Contributed by Katy Crowe / “Significant Properties,” the title of Mary Jones’s current exhibition at as-is.la and her first in Los Angeles in some years, aptly suggests real estate worth seeing...
Image Cities - Photographs by Anastasia Samoylova | Interview by Gregory Eddi Jones | LensCulture Feature Image Cities Traversing 17 of the world’s most influential cities, Anastasia Samoylova’s latest body of work is a multi-layered exploration of the photographs that invade and occupy public space—and the many ways they infiltrate and shape our lives and desires...