The Golden State
2000 - Photography (Photography)
William E. Jones
His series, The Golden State, harkens back to his early career and his photographic training. Using a still camera to compose the fifty images of the series, Jones turns his lens on the vernacular architecture of California’s southern region, looking at the iconic and idiosyncratic spaces that define a region. William E. Jones is a filmmaker, writer, and artist whose interests lie in the circulation of images—images that are broadcast, images that are hidden, and images that become imbedded in our collective consciousness. Jones works with still and moving images as a way to enter social histories, communicate personal narratives, and document cultural phenomena. Jones studied documentary photography under Walker Evans—one of the Farm Security Administration (FSA) photographers who documented American life during the Great Depression—and his works reveal a persistent interest in the power of the photographic image. Jones works fluidly between photography and filmmaking, gathering images and footage from elsewhere to build his intricate narratives.
Los Angeles-based artist and filmmaker William E. Jones appropriates vintage film material that he rearranges into new compositions. Often concerned with the way gay imagery was depicted in 1970s and 1980s, Jones’s early films explore the complex configuration of homosexual identity with a rather nostalgic and romanticized gaze. Though fashioned in the same way, his later pieces look more directly at pornography and the appearance of fetish in popular culture.
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Collier Schorr
2013In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop...
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William E. Jones
2011In the early 20th century, the Hercules Engine Company was doing a brisk business producing customized, heavy-duty engines...
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2009The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
© » KADIST
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2018Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
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KNOTS: An open letter to 艺族 STRANGER | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints The Pond Photography September 19, 2019 By Ke Weiliang (1,131 words, 6-minute read) Dear 艺族 STRANGER, After spending my Saturday afternoon with you at the Esplanade Theatre Studio, I struggled long and hard to make sense of the titular ‘knots’ that your inaugural play endeavoured to grapple with...
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William E. Jones
2011In the early 20th century, the Hercules Engine Company was doing a brisk business producing customized, heavy-duty engines...
© » KADIST
William E. Jones
2011In Restaurant, Canton, Ohio (2011), a convenience store offers food, liquor, and Coca Cola to an empty street...
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49/23 — Considering Technology, AI and Photography - Photographs by Gregory Eddi Jones | Interview by Liz Sales | LensCulture Feature 49/23 — Considering Technology, AI and Photography In his new thought-provoking series “49/23,” Gregory Eddi Jones considers the implications of rapidly advancing technology by intertwining vintage photography and AI-generated images...
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Mary Jones: Layered histories – Two Coats of Paint Mary Jones, American Interior 2023, oil on digitally printed canvas, 52 x 38 inches Contributed by Katy Crowe / “Significant Properties,” the title of Mary Jones’s current exhibition at as-is.la and her first in Los Angeles in some years, aptly suggests real estate worth seeing...
