5:38 minutes
The video Tell me everything you saw, and what you think it means by Sin Wai Kin is from a performance series titled A View from Elsewhere. Wearing exquisite hair and makeup and a pair of silicone breasts under shimmering diamanté lingerie, Sin Wai Kin’s former persona, Victoria Sin, assumes an alluring, inviting, and intimidating pose. Through subtle and slow movements, this atemporal courtesan appears as a living deity, whose presence embodies codes of representation found in brothels from the turn of the century, burlesque, and Beaux Arts female nude painting. In this context, drag appears theatrically—over-performing traditional femininity. As someone who identifies as non-binary, Sin, as Victoria Sin, has often come up against questions of validity when performing on the male-dominated drag circuit. Their practice as a drag queen confronts misogyny and racism within the gay, and in particular, the drag community.
Through performance, moving image, writing, and print, artist Sin Wai Kin (formerly known as Victoria Sin) uses speculative fiction to interrupt normative processes of desire, identification, and objectification. For Sin, drag is an intentional practice that addresses the reification of prescribed and homogenous imagery of the body, gender, and sexuality perpetuated by technologies of representation and systems of looking. Referencing their own embodied knowledge, Sin’s drag personas fabricate narratives of fantasy that critically reflect on the complex experience of performing the physicality of the body, while mediated by various and intertwined social structures. Sin is a leading voice amongst a generation of image-makers challenging representations of gender in art and society.
A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere ...
Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524...
‘Tattoos are not a crime’ – how Iranian tattoo artists are leaving an indelible mark on a society that is slowly coming to accept body ink | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more An Iranian man shows his tattoos in Iran’s capital, Tehran...
Nancy Buirski, Award-Winning Documentary Filmmaker, Dies at 78 - The New York Times Movies | Nancy Buirski, Award-Winning Documentary Filmmaker, Dies at 78 https://www.nytimes.com/2023/09/01/movies/nancy-buirski-dead.html Share full article Advertisement SKIP ADVERTISEMENT Nancy Buirski, an Emmy and Peabody Award-winning documentary filmmaker whose eye was honed as a still photographer and picture editor, died on Wednesday at her home in Manhattan...
A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere ...
‘A statement in itself’: Muslim-majority Kosovo’s first LGBTQ bar is a symbol of tolerance in a once oppressive society | South China Morning Post Advertisement Advertisement Food and Drinks + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more A drag performer kisses a girl during a drag show at Muslim-majority Kosovo’s first LGBTQ bar, Bubble...
Wayne McGregor’s Compelling Adaptation of Dante’s Divine Comedy | AnOther A ballet of The Divine Comedy at Royal Opera House is a beatific coalition of choreography, sound and set – preview it here, with exclusive photographs from Mary McCartney November 29, 2023 Text Sophie Bew In Wayne McGregor ’s ballet interpretation of Dante’s Divine Comedy , Satan wears a black Lycra bodysuit, smeared almost entirely with the chalky ashes of her sins...