40 x 30 x 30 cm
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Against authorship and the commodification of art, he never gives titles or dates to his works which have infinite edition possibilities. This mise en scène of found kitchenware also exists with a rounder and flatter plain modern white porcelain teapot. The mode of display is paired down to the simplest form of a plain square plinth that nevertheless conveys artistry, as does the addition of the cut piece of cardboard signifying a shadow. This recalls his large scale actual Shadow Play for the Venice Biennale in 2009. Feldmann has described his memories of working as a waiter and the lasting impression of the chairs propped up on the tables at the end of day and left the art world in the 1980s to work in a gift store with his wife. work, like hat with photoand pair of shoes also in the collection, is loaded with art historical references and irreverence through a simple assembly of an object and a classic artistic trick.
Hans-Peter Feldmann creates intimate works that explore the link between art and entertainment. He does not date his projects, instead using the multiple as a snub to the art market and its suspicious sacralization. Rather than producing and inventing, he prefers to accumulate, recover, and collect. Feldmann assembles his findings, and collides them, letting the absurd and the poetic emerge. By giving images and objects back their strangeness, their tactile and emotional force, he expels the banal. His entire production questions the value of the artistic act. Through simple gestures and incongruous connections, Feldmann reminds us that art is an appropriation that populates our daily lives if we are willing to let it flourish.
Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California...
“School of the seven Bells (SOTSB)” is based on a series of hands games in which an object is passed from hand to hand...
Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime...
Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
7″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve...
In New York City’s Chinatown, subject Suat Ling Chua’s morning exercise is to practice the hula hoop...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
7″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve...
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
The Art of Fashion and Legacy: Carla Sozzani and Byronesque’s Unique Collaboration – A Shaded View on Fashion https://byronesque.com/fondazione_sozzani/ Dear Shaded Viewers, In a remarkable intersection of art and fashion, Carla Sozzani, the revered figure in the world of fashion, has embarked on a unique collaboration with Byronesque...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
Foreigners Everywhere is a series of neon signs in several different languages...
LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel...
Susan Sontag, the author of On Photography and Regarding the Pain of Others, was captured through Hujar’s now-iconic photograph in a relaxed yet pensive pose...
The photographer speaks with his brother, the journalist Jake Halpern, about growing up in a city of surreal sights and memorable characters....