Swimming in Rivers of Glue

2016 - Film & Video (Film & Video)

9 min 57 sec

Julieta Aranda

location: Mexico City, Mexico
year born: 1975
gender: female
nationality: Mexican
home town: Mexico City, Mexico

The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization. The images show the diversity of forms of life on earth. These forms are associated with texts that relay a form of propaganda. Interviews are conducted, and often refer to the most urgent issues concerning humanity. The interviews are the revealers of fear and anxiety that contaminate the entire film. The video has the effectiveness of a propaganda film while opening us to irrational and poetic images, as can still be the theme of the conquest of space. Like all Aranda’s works, the purpose of this video is related to our experience of space that has been diverted to be thought of as a means of subjugation and control.


Julieta Aranda is a contemporary artist whose explorations traverse installation, video, and print media. Aranda has a special interest in the creation and manipulation of artistic exchange and the subversion of traditional notions of commerce through art making. She is currently based in Berlin and New York City. She holds a degree from Columbia University and is the Editor of e-Flux. For many years, Aranda has been interested in design and architecture. She observes the ways through which planning of public space; architecture and design are often thought of and employed as a way to control the body. These city-planning devices establish physical frontiers that respond to the fences of information and knowledge in our age of hyper-connectivity. These themes have lead the artist to take an interest in the notions of time, circulation and imagination by examining social interactions and the role that the circulation of objects plays in the cycle of production and consumption. She seeks, by highlighting its arbitrary dimension, alternatives to the experience of time.


Colors:



Related works sharing similar palette

Evenings of water and dense forest
© » KADIST

Noara Quintana

2019

The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil...

Weekly Southeast Asia Radar: New Filipina superhero; capturing seniors of Saigon; refugee kids in Penang musical
© » ARTS EQUATOR

Weekly Southeast Asia Radar: New Filipina superhero; capturing seniors of Saigon; refugee kids in Penang musical | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo: School of The Arts, USM September 5, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

Designers Envision the Future of Water at A/D/O
© » MODERN MAG

Designers Envision the Future of Water at A/D/O | Modern Magazine HOME DESIGN EXHIBITIONS ARCHITECTURE FEATURES AGENDA ADVERTISE Courtesy of A/D/O...

Cloth as Land at JMKAC Presents Textiles as a Wellspring of Hmong Indigeneity
© » HYPERALLERGIC

“Cloth as Land” at JMKAC Presents Textiles as a Wellspring of Hmong Indigeneity Skip to content Ger Xiong/Ntxawg Xyooj, “I sat closely and watched it crumble and unraveled and crumbled and unraveled and...” (2023), Coca-Cola can and embroidery thread (image courtesy the artist) HMong* indigeneity is complicated by centuries of political conflicts, displacement, erasure, and disorientation in HMong homelands of China and Southeast Asia...

10 / Febrero / 2019
© » KADIST

Teresa Burga

2019

In her new series titled Ninas Peruanas Cusquenas , Teresa Burga depicts young indigenous women from Peru’s Andean region, dressed in traditional garments...

Walking Alongside “BITTEN: return to our roots”
© » ARTS EQUATOR

Walking Alongside “BITTEN: return to our roots” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Asrari Nasir of Paradise Pictures December 19, 2018 By Teo Xiao Ting (1,420 words, seven-minute read) Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong Bugis, I spot a crew member sweeping the rainwater from the late afternoon downpour clear from the path that I will later walk on...

Head Box
© » KADIST

Jean-Luc Moulène

2009

Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice...

“Peter and the Starcatcher”: An Invitation to Suspend Disbelief
© » ARTS EQUATOR

“Peter and the Starcatcher”: An Invitation to Suspend Disbelief Thinking and Talking about Arts and Culture in Southeast Asia Articles October 22, 2018 By Casidhe Ng (1,100 words, six-minute read) The final show of Pangdemonium’s 2018 season, Peter and the Starcatcher is this year’s equivalent of Fun Home or RENT , an exuberant and expensive production intent on ending their year with a bang...

Mandacura
© » KADIST

biarritzzz

2015

biarritzzz is interested in how the development of the internet, and experimentation in the virtual world happens simultaneously with the experimentation in the material world of the human species; and how these developments reflect the precariousness of life within neoliberalism...

Julie Curtiss 朱莉·柯蒂斯
© » ARTOMITY

Julie Curtiss 朱莉·柯蒂斯 – ARTOMITY 藝源 Hair, both beautiful and abject, ornamental and beastly, is a semiotic system that holds a powerful attraction for French-born, Florida-based artist Julie Curtiss...

Food, Glorious Food (and Other Pleasures) in ‘The Taste of Things’
© » KQED

‘The Taste of Things’ Review: A Moving Tale of Love and Food | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Food, Glorious Food (and Other Pleasures) in ‘The Taste of Things’ Lindsey Bahr, Associated Press Feb 8 Save Article Save Article Failed to save article Please try again Email Benoit Magimel and Juliette Binoche in ‘The Taste of Things.’ (Stéphanie Branchu/ IFC Films via AP) The Taste of Things should come with a warning: Audiences may be tempted to abandon work as they know it and start a beautiful, calm new life in the French countryside devoted to the culinary arts...

Collina Strada is over fragile femininity
© » DAZED DIGITAL

Collina Strada AW24 | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit 01 33...

Jorge González
© » KADIST

Jorge González joins KADIST San Francisco for a short residency to expand on his long-term research on Indigenous craft techniques and knowledge specific to the Carribean...

Pendulum
© » KADIST

Corey McCorkle

2016

Corey McCorkle’s 2016 installation Pendulum is developed around the Cavendish family and their role in importing bananas to Europe...

GreenNFTs Hackathon Brings New Ideas, Awareness, and Solutions
© » ARTNOME

GreenNFTs Hackathon Brings New Ideas, Awareness, and Solutions — Artnome Menu Blog Exploring art through data using the Artnome database...

Die Siedlung
© » KADIST

Clemens von Wedemeyer

2004

Die Siedlung is a filmic documentary about the recent shift in housing developments in Leipzig-Grünau in former East Germany and its consequences on some inhabitants...

Extrastellar Evaluations III: Entropy: 25800
© » KADIST

Yin-Ju Chen

2018

Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...

Hauser & Wirth and Nicola Vassell Unveil New ‘Collective Impact’ Model with Collaborative Representation of Artist Uman
© » ARTNEWS MARKET

Hauser & Wirth and Nicola Vassell Unveil New Partnership Model – ARTnews.com Skip to main content By Sarah Douglas Plus Icon Sarah Douglas Editor-in-Chief, ARTnews View All November 28, 2023 4:00pm Amapiano Dance , 2022-2023, Uman, Acrylic, oil and oil stick on canvas in artist's frame, 62 5/8 x 62 5/8 in...