Swimming in Rivers of Glue

The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil...

Weekly Southeast Asia Radar: New Filipina superhero; capturing seniors of Saigon; refugee kids in Penang musical | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo: School of The Arts, USM September 5, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

FIELD MEETING Take 4: Thinking Practice | Ibraaz Contemporary Visual Culture in North Africa and the Middle East Home Platform Essays Interviews Projects Channel Reviews Publications News About Sign up Quick search Go Author Keyword Search archive Title Platform 010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East 009: What are the genealogies of performance art in North Africa and the Middle East? 008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South? 007: What is the future of arts infrastructures and audiences across North Africa and the Middle East? 006: What role can the archive play in developing and sustaining a critical and culturally located art history? 005: How has a globalised cultural economy affected the production of contemporary visual culture in North Africa and the Middle East? 004: With the benefit of hindsight, what role does new media play in artistic practices, activism, and as an agent for social change in the Middle East and North Africa today? 003: Can Artistic Practices Negotiate the Demands of Cultural Institutions, Public Space, and Civil Society? 002: What relationship does visual culture have to the world we live in? 001: What do we need to know about the MENA region today? Published between and Publications FIELD MEETING Take 4: Thinking Practice Online Programme 010_05 / 28 October 2016 Tags Curatorial Practice Conference Chapters in this series Introduction Curatorial Narrative Speaker Biographies + Synopses Programme / Schedule Closing Remarks Responses Video documentation Day 1 Video documentation Day 2 Most Viewed Halim El Dabh An Alternative Genealogy of Musique Concrète Fari Bradley Sous les Pavés, la Plage On Assumption and Authority David Birkin Now Where? On Navigating Without a Compass Stephanie Bailey The North of the South and the West of the East A Provocation to the Question Walter D...

In Dark Beyond Deep by Zhu Changquan the film presents the process of how consciousness gradually develops and extends from the real world to virtual space through a raven named Cyma...

BOMB Magazine | Justin Torres Necessary (Required) Cookies that the site cannot function properly without...

Artists Participating in the Whitney Biennial 2024: Even Better Than the Real Thing, NYC - ArteFuse Seventy-one visionary artists and collectives will participate in the eighty-first installment of the Whitney Biennial, opening March 20, 2024...

Coproduced between KADIST and Sharjah Art Foundation in the context of Sharjah Biennial 15: Thinking Historically in the Present , Farah Al Qasimi’s Um Al Dhabaab (Mother of Fog) challenges colonial myths upheld by Western academia and the lingering imperialist interests at play across Asia’s modern-day trade hubs...

Interested in role-play and videogames, Ana María Millán developed workshops with different communities in order to create characters and scenarios for her animations, often in collaboration with a choreographer...

Exhibition dates: February 24 – April 9 Opening: February 24, 6-9pm Hours: Weds – Sat, 2-7pm or by appointment Borrowing its title from James Baldwin’s 1985 essay on the Atlanta Child Murders of 1979-81, Evidence of Things Not Seen , this solo exhibition amplifies notions of presence and absence, sound and silence, and visibility and invisibility in the work of Hank Willis Thomas ...

Reeder’s works often start with language—and his Pasta Paintings are no different...

The record price paid online for a painting has increased tenfold this year, and with a series of eye-catching art fairs and auctions over the next couple of months, it could be broken yet again....

Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...

This week, Artsy Insider shares key insights from “Art Collecting 2021: An Artsy Report.”...

Growing up Everywhere and Nowhere in “Peter and the Starcatcher” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng October 22, 2018 By Teo Xiao Ting (1,300 words, seven-minute read) What does it mean to be a child? Specifically, what does it mean to be growing up, to be young, in this milieu? While set in the sepia of 1885, Peter and the Starcatcher by Pangdemonium asks questions that still resonate now, opening up to an extended session of make-believe to present the origin story of a Boy who detests all “grown-ups.” The story comes dusted in “starstuff,” a coveted substance that literally came from the stars, and has the magic to grant wishes...

Jorge González joins KADIST San Francisco for a short residency to expand on his long-term research on Indigenous craft techniques and knowledge specific to the Carribean...

Seiran Tsuno's ghostly dresses rest above the bearer and recontextualize the human body...

With Saddie Choua, Valentina Desideri, Denise Ferreira da Silva, Arely Amaut, Nilbar Güres, Ibro Hasanovic, Jelena Jureša, Doruntina Kastrati, Kaltrina Krasniqi, Pedro Neves Marques, Christian Nyampeta, Daniela Ortiz, Monira Al Qadiri, and Lala Rašcic...

GreenNFTs Hackathon Brings New Ideas, Awareness, and Solutions — Artnome Menu Blog Exploring art through data using the Artnome database...