9 min 57 sec
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization. The images show the diversity of forms of life on earth. These forms are associated with texts that relay a form of propaganda. Interviews are conducted, and often refer to the most urgent issues concerning humanity. The interviews are the revealers of fear and anxiety that contaminate the entire film. The video has the effectiveness of a propaganda film while opening us to irrational and poetic images, as can still be the theme of the conquest of space. Like all Aranda’s works, the purpose of this video is related to our experience of space that has been diverted to be thought of as a means of subjugation and control.
Julieta Aranda is a contemporary artist whose explorations traverse installation, video, and print media. Aranda has a special interest in the creation and manipulation of artistic exchange and the subversion of traditional notions of commerce through art making. She is currently based in Berlin and New York City. She holds a degree from Columbia University and is the Editor of e-Flux. For many years, Aranda has been interested in design and architecture. She observes the ways through which planning of public space; architecture and design are often thought of and employed as a way to control the body. These city-planning devices establish physical frontiers that respond to the fences of information and knowledge in our age of hyper-connectivity. These themes have lead the artist to take an interest in the notions of time, circulation and imagination by examining social interactions and the role that the circulation of objects plays in the cycle of production and consumption. She seeks, by highlighting its arbitrary dimension, alternatives to the experience of time.
The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil...
Weekly Southeast Asia Radar: New Filipina superhero; capturing seniors of Saigon; refugee kids in Penang musical | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo: School of The Arts, USM September 5, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Life off the beaten track: 32 years in a remote, car-free village on Hong Kong’s Lantau Island | South China Morning Post Life off the beaten track: 32 years in a remote, car-free village on Hong Kong’s Lantau Island Books and literature A cartoonist and writer waxes lyrical about his rural village and its colourful local characters, and how little has changed in his 32 years there Larry Feign + FOLLOW Published: 7:15am, 3 Feb, 2024 Why you can trust SCMP Half a lifetime ago, I moved to Wang Tong, on Lantau Island...
Interested in role-play and videogames, Ana María Millán developed workshops with different communities in order to create characters and scenarios for her animations, often in collaboration with a choreographer...
Hauser & Wirth and Nicola Vassell Unveil New Partnership Model – ARTnews.com Skip to main content By Sarah Douglas Plus Icon Sarah Douglas Editor-in-Chief, ARTnews View All November 28, 2023 4:00pm Amapiano Dance , 2022-2023, Uman, Acrylic, oil and oil stick on canvas in artist's frame, 62 5/8 x 62 5/8 in...
Abel Rodríguez’s precise, botanical illustrations are drawn from memory and knowledge acquired by oral traditions...
Paris to get new fair for Latin American art next September Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art fairs news Paris to get new fair for Latin American art next September Mira will bring together around 20 galleries at the Maison de l'Amérique Latine Alexandre Crochet 15 December 2023 Share The Maison de l'Amérique Latine in Paris Courtesy of Maison de l'Amérique Latine It was the only fair missing to allow for a world tour of art without ever leaving Paris...
In her new series titled Ninas Peruanas Cusquenas , Teresa Burga depicts young indigenous women from Peru’s Andean region, dressed in traditional garments...
FIELD MEETING Take 4: Thinking Practice | Ibraaz Contemporary Visual Culture in North Africa and the Middle East Home Platform Essays Interviews Projects Channel Reviews Publications News About Sign up Quick search Go Author Keyword Search archive Title Platform 010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East 009: What are the genealogies of performance art in North Africa and the Middle East? 008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South? 007: What is the future of arts infrastructures and audiences across North Africa and the Middle East? 006: What role can the archive play in developing and sustaining a critical and culturally located art history? 005: How has a globalised cultural economy affected the production of contemporary visual culture in North Africa and the Middle East? 004: With the benefit of hindsight, what role does new media play in artistic practices, activism, and as an agent for social change in the Middle East and North Africa today? 003: Can Artistic Practices Negotiate the Demands of Cultural Institutions, Public Space, and Civil Society? 002: What relationship does visual culture have to the world we live in? 001: What do we need to know about the MENA region today? Published between and Publications FIELD MEETING Take 4: Thinking Practice Online Programme 010_05 / 28 October 2016 Tags Curatorial Practice Conference Chapters in this series Introduction Curatorial Narrative Speaker Biographies + Synopses Programme / Schedule Closing Remarks Responses Video documentation Day 1 Video documentation Day 2 Most Viewed The Global South Conflicting Narratives and the Invention of Geographies Fernando Resende Global Art Forum 8 1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans Ibraaz The North of the South and the West of the East A Provocation to the Question Walter D...
“Cloth as Land” at JMKAC Presents Textiles as a Wellspring of Hmong Indigeneity Skip to content Ger Xiong/Ntxawg Xyooj, “I sat closely and watched it crumble and unraveled and crumbled and unraveled and...” (2023), Coca-Cola can and embroidery thread (image courtesy the artist) HMong* indigeneity is complicated by centuries of political conflicts, displacement, erasure, and disorientation in HMong homelands of China and Southeast Asia...
Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice...