9 min 57 sec
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization. The images show the diversity of forms of life on earth. These forms are associated with texts that relay a form of propaganda. Interviews are conducted, and often refer to the most urgent issues concerning humanity. The interviews are the revealers of fear and anxiety that contaminate the entire film. The video has the effectiveness of a propaganda film while opening us to irrational and poetic images, as can still be the theme of the conquest of space. Like all Aranda’s works, the purpose of this video is related to our experience of space that has been diverted to be thought of as a means of subjugation and control.
Julieta Aranda is a contemporary artist whose explorations traverse installation, video, and print media. Aranda has a special interest in the creation and manipulation of artistic exchange and the subversion of traditional notions of commerce through art making. She is currently based in Berlin and New York City. She holds a degree from Columbia University and is the Editor of e-Flux. For many years, Aranda has been interested in design and architecture. She observes the ways through which planning of public space; architecture and design are often thought of and employed as a way to control the body. These city-planning devices establish physical frontiers that respond to the fences of information and knowledge in our age of hyper-connectivity. These themes have lead the artist to take an interest in the notions of time, circulation and imagination by examining social interactions and the role that the circulation of objects plays in the cycle of production and consumption. She seeks, by highlighting its arbitrary dimension, alternatives to the experience of time.
Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...
Hill of Poisonous Trees (three men) (2008) exemplifies the artist’s signature photo-weaving technique, in which he collects diverse found photographs—portraits of anonymous people, stills from blockbuster films, or journalistic images—cuts them into strips, and weaves them into new composition...
Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies...
Tropical Vulture is a cross-generational project which highlights the artistic influences between George Kuchar, a Bay Area legend of independent filmmaking, and Mexican artist Miguel Calderón...
Gabriel Orozco often documents found situations in the natural or urban landscape...
Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance...
In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste...
Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...
Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...
Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969...
This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...
As the caption purposely admits, these drawings were made by friends of Ondák’s at home in Slovakia asked to interpret places he has journeyed to...
The Nightwatch , which is an ironic reference to the celebrated painting by Rembrandt, follows the course of a fox wandering among the celebrated collections of the National Portrait Gallery in London...
This work needs to be considered in relation to one of his performances during which people were made to queue in front of the Kunsthalle of Frankfurt in 2003 (Tate Collection)...