Super Amuleto

2020 - Film & Video (Film & Video)

7min55sec

Wisrah Villefort


This video is a montage of documentary and virtual images found on the Internet. They all have a performative dimension with varying registers of violence. The title – Super Amuleto – refers to the lucky charm of a rabbit’s foot. In Western symbolism it refers to fertility and therefore to prosperity and luck. It also alludes to one of the first relationships between man and animal in a conception of the animal as a ritual and divinatory object. It is a relationship that is based on violence however, like that of the animal thought of as food (also referenced by the fish at the start of the video) or the domesticated animal. The film’s text guides us towards the idea that a ritual presents a spiritual justification. This idea is reinforced by the translation of the text at the bottom of the image into an unknown language, reminiscent of emojis, which seems intended for another audience who remain invisible to us much like the magical language of Walter Benjamin. In certain sequences of the film, like those of the octopus on the face of a young woman or that of the drone with the eagle, there are relations of attraction / repulsion between man and animal, animal and machine which are ultimately also located within this register of violence.


Wisrah Villefort produces videos, installations and sculptures with a reflection on notions of the non-human, the increased presence of new digital technologies in our daily life, the use of synthetics polymers, prostheses and their markets. His work refers to current neo-materialist theories which confer existence to things with the idea that the relationship between man and objects – when their sensory materiality is recognized – can lead to productive alliances. It was Walter Benjamin who, very early on, claimed that the language of things is a “productive language” in the sense that it contains traces of origins and of God. The idea for him is that human language must be able to translate the meaning not by a ‘translation’ in the classical sense of the term but by a transfer, a transmission.


Colors:



Related works sharing similar palette  
» see more

To See or Not to See: Learning from the Late Great Robert Irwin, Tourist Paintings, and What if Chris Burden Had Gone to Therapy
© » ARTNEWS REVIEWS

To See or Not to See: Learning from the Late Robert Irwin and More Skip to main content By Janelle Zara Plus Icon Janelle Zara View All January 13, 2024 3:50pm Installation view of Robert Irwin's untitled (dawn to dusk) , 2016, at the Chinati Foundation, Marfa, Texas...

All Watched Over By Machines of Loving Grace
© » KADIST

I like to think (and the sooner the better!) of a cybernetic meadow where mammals and computers live together in mutually programming harmony like pure water touching clear sky...

This Free Quentin Blake Exhibition Lands In London At The End Of January
© » LONDONIST

Quentin Blake: Now Exhibition | Londonist This Free Quentin Blake Exhibition Lands In London At The End Of January By Will Noble Will Noble This Free Quentin Blake Exhibition Lands In London At The End Of January The exhibition is free, although if you want, you can spend a lot of money by purchasing an original...

49/23 — Considering Technology, AI and Photography
© » LENS CULTURE

49/23 — Considering Technology, AI and Photography - Photographs by Gregory Eddi Jones | Interview by Liz Sales | LensCulture Feature 49/23 — Considering Technology, AI and Photography In his new thought-provoking series “49/23,” Gregory Eddi Jones considers the implications of rapidly advancing technology by intertwining vintage photography and AI-generated images...

Related works found in the same semantic group  
» see more

Western Wild … or How I Found Wanderlust and Met Old Shatterhand
© » KADIST

Martha Colburn

2017

Martha Colburn’s film, Western Wild … or How I Found Wanderlust and Met Old Shatterhand , about the famed German author Karl May weaves together a mixture of stop motion animation, travelogue and biography that generates a kind of sensory wanderlust...

Monelle
© » KADIST

Diego Marcon

2017

Monelle by Diego Marcon was filmed at night inside the infamous Casa del Fascio, the headquarters of the local Fascist Party in Como Italy, designed by Giuseppe Terragni under Mussolini’s rule...

Oil
© » KADIST

Sam Contis

2014

Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression...

Horseback
© » KADIST

Sam Contis

2014

Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression...