152.4 x 114.3 cm
Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances. Not to be mistaken as mere portraiture, however, Simmons’ works are explorations of the Black body in relation to landscape and other dimensions of non-linear space and time. Concealing and flattening her subjects with costumes and collage-like, abstract pictorial devices, the artist arranges archival photographs, printed textiles, and anthropological artifacts in configurations that highlight the power of visual culture to shape contemporary understandings of the self. Dressed in wax-printed broadcloth, the subject of Sundown (Number Twenty) holds a photograph from the Jim Crow era in her left hand and an African mask in her right. The busy backdrop of tropical flora reinforces problematic associations of fantasy and exoticism suggested by the masked figure. Simultaneously concealing and replacing her own image, Simmons allows her individual identity to dissolve into the cultural constructs and histories that each artefact and image holds.
Artist Xaviera Simmons’s diverse body of work is committed to multiplicity. Eschewing linear notions of history, her approach to investigating themes such as the shifting notions surrounding landscape and the conditions of African American female experience are cyclical in nature. Her studio practice demonstrates a fidelity to no single artistic modality or creative process; rather, Simmons’ interdisciplinary pursuits are in constant, active flux. Encompassing installation, photography, performance, and sound and video works, her evolving approach to artmaking is emblematic of the plurality of cultural experience and the myriad ways in which identity is constructed in contemporary culture.
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Neglected middle class may be key to growing stagnant art market Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art market analysis Neglected middle class may be key to growing stagnant art market The spotlight tends to fall on big spenders, but what of “professional class” buyers, who often feel intimidated by the art world? Scott Reyburn 11 December 2023 Share Injecting new life: initiatives such as Avant Arte and Artist Support Pledge that attract less well-off collectors could revive a flat market Photo: splitov27 Art Basel and UBS recently issued their latest annual Survey of Global Collecting , which analyses the habits and attitudes of more than 2,800 high-net-worth individuals (HNWIs) across the world...